Composer

:

Franz Liszt

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1847 - 1849

Publication Date

:

1858

Average_duration

:

20:26

Movement_count

:

3

Movement ....

Franz Liszt's 'Petrarch Sonnets II (3)', S.161/4-6, is a set of three solo piano pieces that were composed in the mid-19th century. The pieces are based on three sonnets written by the Italian poet Petrarch, who lived in the 14th century. The sonnets are part of a larger collection of poems that Petrarch wrote to his beloved Laura. The first movement, 'Benedetto sia 'l giorno', is based on Sonnet 47. It is a slow and melancholic piece that reflects the poet's longing for his beloved. The music is characterized by its use of arpeggios and chromaticism, which create a sense of yearning and sadness. The second movement, 'I' vidi in terra angelici costumi', is based on Sonnet 104. It is a more lively and energetic piece that reflects the poet's admiration for Laura's beauty. The music is characterized by its use of rapid arpeggios and virtuosic runs, which create a sense of excitement and joy. The third movement, 'Pace non trovo', is based on Sonnet 123. It is a slow and introspective piece that reflects the poet's despair at not being able to find peace without his beloved. The music is characterized by its use of dissonance and unresolved harmonies, which create a sense of tension and unease. The 'Petrarch Sonnets II (3)' were composed in 1846 and premiered in the same year in Weimar, Germany. The pieces are considered to be some of Liszt's most important works for solo piano, and they showcase his virtuosic technique and innovative use of harmony and form. The 'Petrarch Sonnets II (3)' are also notable for their emotional depth and their ability to capture the essence of Petrarch's poetry through music.

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