Composer

:

Domenico Scarlatti

Genre

:

Choral

Style

:

Motet

Compose Date

:

ca. 1756

Average_duration

:

13:07

Domenico Scarlatti's 'Salve Regina in A major' is a sacred choral work that was composed in the early 18th century. The exact date of composition is unknown, but it is believed to have been written during Scarlatti's time in Rome, where he served as the maestro di cappella at the Basilica di Santa Maria Maggiore. The 'Salve Regina in A major' is a setting of the Marian antiphon 'Salve Regina', which is traditionally sung in the Catholic Church during the season of Lent. The work is scored for four-part choir (soprano, alto, tenor, and bass) and continuo, and is divided into four movements. The first movement, marked 'Allegro', begins with a lively instrumental introduction that sets the tone for the entire work. The choir then enters with a joyful and exuberant setting of the antiphon text, which is characterized by its bright harmonies and rhythmic energy. The second movement, marked 'Largo', is a more contemplative and introspective setting of the text. The choir sings in a more subdued and restrained manner, with the harmonies becoming more complex and chromatic. The third movement, marked 'Allegro', returns to the joyful and exuberant mood of the opening movement. The choir sings in a more declamatory style, with the text being emphasized through the use of repeated rhythmic patterns and melodic motifs. The final movement, marked 'Adagio', is a quiet and reflective setting of the text. The choir sings in a hushed and reverent manner, with the harmonies becoming more dissonant and unresolved. The work ends with a final chord that is left hanging in the air, creating a sense of unresolved tension and anticipation. Overall, Scarlatti's 'Salve Regina in A major' is a masterful example of Baroque choral music. Its lively rhythms, complex harmonies, and expressive melodies make it a joy to listen to, while its contemplative moments provide a sense of depth and emotional resonance.

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