Composer

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Louis James Alfred Lefébure-Wély

Genre

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Keyboard

Style

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Keyboard

Compose Date

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ca. 1927

Louis James Alfred Lefébure-Wély's "Pièces de Fantasie (24), Op. 54" is a collection of 24 pieces for organ, composed in 1862. The premiere of the work took place in the same year, with Lefébure-Wély himself performing on the organ at the Church of Saint-Roch in Paris. The collection is divided into three movements, each containing eight pieces. The first movement is titled "Fantaisies," and features pieces that are free in form and allow for improvisation. The second movement, "Pièces en style de musique ancienne," is a nod to the Baroque era, with pieces that imitate the style of composers such as Bach and Handel. The final movement, "Pièces modernes," features pieces that are more contemporary in style, with elements of Romanticism and virtuosity. One of the characteristics of Lefébure-Wély's "Pièces de Fantasie" is its use of colorful harmonies and textures. The pieces are often characterized by lush, sweeping melodies and intricate counterpoint. Additionally, the collection showcases Lefébure-Wély's skill as an improviser, with many of the pieces allowing for variations and embellishments. Overall, "Pièces de Fantasie (24), Op. 54" is a significant contribution to the repertoire of organ music. Its combination of traditional and modern elements, as well as its emphasis on improvisation, make it a unique and engaging work for both performers and listeners.

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