Composer

:

Franz Liszt

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1837 - 1838

Publication Date

:

1838

Average_duration

:

4:23

Franz Liszt's "Auf dem Wasser zu singen (after Schubert), S. 558/2" is a solo piano piece that was composed in 1846. It is part of a larger collection of Liszt's transcriptions of Schubert's songs, known as the "Schubert-Liszt Song Transcriptions." The piece was premiered by Liszt himself in a concert in Berlin in 1846. The piece is divided into three movements, each of which is based on a different section of Schubert's original song. The first movement is a gentle and flowing introduction, which sets the mood for the piece. The second movement is the main body of the piece, and it features a series of variations on Schubert's melody. Liszt's virtuosic piano writing is on full display in this movement, as he explores a wide range of textures and harmonies. The final movement is a brief coda, which brings the piece to a peaceful and serene conclusion. One of the most striking characteristics of "Auf dem Wasser zu singen" is Liszt's use of the piano to imitate the sound of water. Throughout the piece, Liszt employs a variety of techniques to create the impression of rippling waves and flowing currents. He uses arpeggios, tremolos, and other techniques to create a sense of fluidity and motion. This effect is particularly pronounced in the second movement, where Liszt's virtuosic piano writing creates a sense of rushing water. Another notable characteristic of the piece is Liszt's use of harmony. He takes Schubert's simple and elegant melody and transforms it into a complex and sophisticated work of art. Liszt's harmonies are often unexpected and daring, and he frequently uses chromaticism and other advanced techniques to create a sense of tension and release. Overall, "Auf dem Wasser zu singen" is a masterpiece of piano writing. It showcases Liszt's incredible technical skill and his ability to transform a simple melody into a complex and beautiful work of art. It is a testament to Liszt's genius as a composer and his deep admiration for Schubert's music.

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