Composer

:

Michael Tippett

Genre

:

Orchestral

Style

:

Concerto

Compose Date

:

1938 - 1939

Average_duration

:

23:06

Movement_count

:

3

Movement ....

Michael Tippett's Concerto for Double String Orchestra was composed in 1938 and premiered on November 10th of the same year at the Queen's Hall in London. The concerto is divided into three movements, each with its own distinct character and mood. The first movement, marked Allegro, is a lively and energetic piece that showcases the virtuosity of the string players. The movement begins with a bold and rhythmic theme that is passed between the two orchestras, building in intensity as it progresses. The middle section of the movement features a more lyrical and expressive melody, which is then developed and expanded upon before returning to the opening theme. The second movement, marked Adagio cantabile, is a slow and contemplative piece that contrasts with the first movement's energy. The movement begins with a hauntingly beautiful melody played by the first violins, which is then taken up by the rest of the orchestra. The music gradually builds in intensity, with the two orchestras playing off each other in a series of intricate and delicate exchanges. The movement ends with a return to the opening melody, played softly and tenderly. The final movement, marked Allegro molto e con brio, is a lively and exuberant piece that brings the concerto to a thrilling conclusion. The movement begins with a fast and frenetic theme that is passed between the two orchestras, building in intensity as it progresses. The middle section of the movement features a more lyrical and expressive melody, which is then developed and expanded upon before returning to the opening theme. The movement ends with a triumphant restatement of the opening theme, played with great energy and enthusiasm. Overall, Tippett's Concerto for Double String Orchestra is a masterful work that showcases the composer's skill in writing for strings. The use of two orchestras allows for a wide range of textures and colors, while the three movements provide a varied and engaging listening experience. The concerto remains a popular and frequently performed work in the string orchestra repertoire.

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