Composer

:

Tarquinio Merula

Genre

:

Chamber

Average_duration

:

01:11:09

Movement_count

:

24

Movement ....

Tarquinio Merula was an Italian composer and organist who lived from 1595 to 1665. He was a prominent figure in the development of the early Baroque style, and his works were highly influential in the development of instrumental music during the 17th century. One of his most significant works is the Canzoni overo Sonate Concertate per Chiesa e Camera, Op. 12. The Canzoni overo Sonate Concertate per Chiesa e Camera, Op. 12 was composed in 1637 and premiered in Venice. The work consists of 22 pieces, which are divided into two groups: 12 canzonas and 10 sonatas. The canzonas are written for various instrumental combinations, including violins, cornets, trombones, and bassoons. The sonatas are written for two violins and continuo. The canzonas in the Canzoni overo Sonate Concertate per Chiesa e Camera, Op. 12 are characterized by their lively rhythms, virtuosic instrumental writing, and rich harmonies. They are often written in a contrapuntal style, with each instrument contributing to the overall texture of the piece. The sonatas, on the other hand, are more intimate in character, with a focus on the interplay between the two violins and the continuo. One of the most notable features of the Canzoni overo Sonate Concertate per Chiesa e Camera, Op. 12 is its use of the stile concitato, or "agitated style." This style is characterized by rapid, repeated notes and is often used to depict scenes of battle or conflict. Merula uses this style to great effect in several of the canzonas, creating a sense of excitement and energy. Overall, the Canzoni overo Sonate Concertate per Chiesa e Camera, Op. 12 is a significant work in the development of instrumental music during the Baroque period. Its lively rhythms, virtuosic instrumental writing, and use of the stile concitato make it a compelling and exciting work to listen to.

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