Composer

:

Orlande de Lassus

Genre

:

Choral

Style

:

Choral

Publication Date

:

1570

Average_duration

:

7:05

Dixit Dominus, M. vii (S. xxi/27) is a sacred choral work composed by Orlande de Lassus, a prominent composer of the late Renaissance period. The piece is a setting of Psalm 110, which is also known as the Dixit Dominus. It was composed in the late 16th century, and its premiere is believed to have taken place in Munich, Germany, where Lassus was employed as a court musician. The work is divided into eight movements, each of which sets a different section of the psalm. The first movement, "Dixit Dominus," is a grand and majestic setting of the opening verses of the psalm. It features a full choir and orchestra, with soaring vocal lines and intricate counterpoint. The second movement, "Juravit Dominus," is a more subdued and contemplative setting of the next section of the psalm. It features solo voices and a smaller ensemble, with a more intimate and introspective feel. The third movement, "Dominus a dextris tuis," is a lively and energetic setting of the next section of the psalm. It features a full choir and orchestra, with fast-paced rhythms and intricate vocal lines. The fourth movement, "Judicabit in nationibus," is a more somber and reflective setting of the next section of the psalm. It features solo voices and a smaller ensemble, with a more restrained and contemplative feel. The fifth movement, "De torrente in via bibet," is a lively and joyful setting of the next section of the psalm. It features a full choir and orchestra, with lively rhythms and exuberant vocal lines. The sixth movement, "Gloria Patri," is a grand and majestic setting of the final section of the psalm. It features a full choir and orchestra, with soaring vocal lines and intricate counterpoint. The seventh movement, "Sicut erat in principio," is a brief reprise of the opening of the work, featuring a full choir and orchestra. The final movement, "Amen," is a brief and subdued coda, featuring a smaller ensemble and a more introspective feel. Overall, Dixit Dominus, M. vii (S. xxi/27) is a masterful example of Renaissance choral music, featuring intricate counterpoint, soaring vocal lines, and a wide range of textures and moods. Its premiere in Munich would have been a grand and impressive event, showcasing Lassus's skill as a composer and his ability to create music that was both technically complex and emotionally powerful.

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