Composer

:

Wolfgang Amadeus Mozart

Genre

:

Chamber

Style

:

Sonata: Church

Compose Date

:

1780

Average_duration

:

4:41

Church Sonata No. 17 in C major, K. 336 (336d) is a composition by Wolfgang Amadeus Mozart, which was composed in 1780. The piece was premiered in Salzburg, Austria, on Easter Sunday of the same year. The sonata is a part of a set of seventeen church sonatas that Mozart composed between 1772 and 1780. The sonata is divided into three movements. The first movement is marked Allegro, and it is in sonata form. The movement begins with a lively and joyful theme that is introduced by the strings. The theme is then developed and expanded upon by the winds and the rest of the orchestra. The second movement is marked Andante, and it is in a simple ternary form. The movement is characterized by its lyrical and expressive melody, which is played by the strings. The final movement is marked Allegro, and it is in rondo form. The movement is characterized by its energetic and lively character, which is created by the use of syncopated rhythms and fast tempos. The sonata is characterized by its use of counterpoint, which is a technique that involves the interweaving of multiple melodies. This technique is particularly evident in the first movement, where the different sections of the orchestra play different melodies that are interwoven to create a complex and harmonious whole. The sonata is also characterized by its use of chromaticism, which is a technique that involves the use of notes that are outside of the key signature. This technique is particularly evident in the second movement, where the melody is characterized by its use of chromaticism to create a sense of tension and release. Overall, Church Sonata No. 17 in C major, K. 336 (336d) is a beautiful and complex composition that showcases Mozart's mastery of counterpoint and chromaticism. The piece is a testament to Mozart's skill as a composer and his ability to create music that is both technically challenging and emotionally expressive.

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