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Einojuhani Rautavaara
The Cathedral
Released Album
 
Works Info
Composer
:
Einojuhani Rautavaara
Genre
:
Choral
Style
:
Choral
Compose Date
:
1983
First Performance
:
Oct 30, 1983
Average_duration
:
16:53
Einojuhani Rautavaara's 'The Cathedral' is a composition for solo organ that was composed in 1978. The piece was premiered in Helsinki, Finland, on October 22, 1979, by the Finnish organist Kalevi Kiviniemi. The composition consists of three movements, each of which is characterized by a distinct mood and musical style. The first movement, titled 'The Cross', is a slow and contemplative piece that features a simple melody played in the upper register of the organ. The melody is accompanied by a series of chords played in the lower register, which create a sense of depth and resonance. The movement is characterized by its use of dissonance and chromaticism, which create a sense of tension and unease. The second movement, titled 'The Bells', is a lively and energetic piece that features a series of rapid arpeggios played in the upper register of the organ. The arpeggios are accompanied by a series of chords played in the lower register, which create a sense of rhythm and momentum. The movement is characterized by its use of syncopation and irregular rhythms, which create a sense of excitement and unpredictability. The third movement, titled 'The Nave', is a slow and majestic piece that features a series of chords played in the upper register of the organ. The chords are accompanied by a series of pedal notes played in the lower register, which create a sense of grandeur and power. The movement is characterized by its use of harmony and counterpoint, which create a sense of complexity and richness. Overall, 'The Cathedral' is a powerful and evocative composition that showcases Rautavaara's skill as a composer. The piece is characterized by its use of dissonance, chromaticism, syncopation, irregular rhythms, harmony, and counterpoint, which create a sense of tension, excitement, complexity, and richness. The composition is a testament to the power and beauty of the organ, and it remains a popular and beloved work in the organ repertoire.
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