Composer

:

César Franck

Genre

:

Choral

Compose Date

:

ca. 1865

Average_duration

:

02:27

Cantique pour la Saint-Francis: Salut jour vénéré is a choral work composed by César Franck in 1882. The piece was premiered on October 4, 1882, at the Church of Sainte-Clotilde in Paris, France. The work is divided into three movements, each with its own unique characteristics. The first movement, "Salut, jour vénéré," is a solemn and majestic hymn of praise to Saint Francis of Assisi. The music is characterized by its rich harmonies and soaring melodies, which are sung by the choir in unison. The piece begins with a quiet organ introduction, which gradually builds in intensity as the choir enters. The music reaches a climax with the words "Salut, jour vénéré," before subsiding into a peaceful coda. The second movement, "O bienheureux François," is a more introspective and contemplative piece. The music is marked by its gentle, flowing melodies and delicate harmonies. The choir sings in a soft, almost whispering tone, as if in prayer. The organ provides a gentle accompaniment, with occasional flourishes of virtuosity. The final movement, "Gloire à toi, Seigneur," is a triumphant hymn of praise to God. The music is characterized by its exuberant rhythms and joyful melodies. The choir sings in a full-throated, celebratory tone, with the organ providing a lively accompaniment. The piece reaches a climax with the words "Gloire à toi, Seigneur," before ending in a burst of exultant energy. Overall, Cantique pour la Saint-Francis: Salut jour vénéré is a powerful and moving work, which showcases Franck's mastery of choral composition. The piece is notable for its rich harmonies, soaring melodies, and profound spiritual depth. It remains a beloved work in the choral repertoire to this day.

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