Composer

:

Manuel José de Quiroz

Genre

:

Vocal

Style

:

Vocal Music

Average_duration

:

5:55

'Jesús, Jesús, Jesús, y lo que sube' is a sacred choral work composed by Manuel José de Quiroz, a prominent Mexican composer of the Baroque era. The piece was composed in the late 17th century and premiered in Mexico City in 1690. It is a multi-movement work that is characterized by its use of polyphony, intricate harmonies, and expressive melodies. The first movement of 'Jesús, Jesús, Jesús, y lo que sube' is a solemn and contemplative setting of the text "Jesús, Jesús, Jesús, y lo que sube." The choir sings in four-part harmony, with each voice part weaving in and out of the texture to create a rich and complex sound. The harmonies are often dissonant, adding to the sense of tension and longing in the music. The second movement is a lively and joyful setting of the text "Gloria a Dios en las alturas." The choir sings in a fast and rhythmic tempo, with each voice part taking turns to sing the melody. The harmonies are bright and colorful, reflecting the exuberance of the text. The third movement is a slow and mournful setting of the text "Señor, ten piedad de nosotros." The choir sings in a somber and introspective tone, with the harmonies shifting between major and minor keys to create a sense of tension and release. The fourth and final movement is a triumphant setting of the text "Aleluya, aleluya, aleluya." The choir sings in a fast and energetic tempo, with each voice part singing in unison to create a powerful and unified sound. The harmonies are bold and majestic, reflecting the joy and celebration of the text. Overall, 'Jesús, Jesús, Jesús, y lo que sube' is a masterful example of Baroque choral music. Its use of polyphony, intricate harmonies, and expressive melodies make it a timeless work that continues to be performed and admired today.

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