Composer

:

Carl Philipp Emanuel Bach

Genre

:

Keyboard

Style

:

Sonata

Compose Date

:

1763

Publication Date

:

1985

Average_duration

:

13:16

Movement_count

:

3

Movement ....

The Sonata for keyboard in A major, H. 174, Wq. 65/37, was composed by Carl Philipp Emanuel Bach in 1765. It was premiered in the same year and is considered one of his most significant works for keyboard. The sonata consists of three movements: Allegretto, Andante, and Allegro assai. The first movement, Allegretto, is in sonata form and begins with a lively and playful theme. The theme is then developed through various key changes and modulations, showcasing Bach's skill in harmonic progression. The movement ends with a recapitulation of the main theme, bringing the piece to a satisfying close. The second movement, Andante, is a beautiful and expressive piece in A minor. It features a lyrical melody that is accompanied by delicate arpeggios in the left hand. The middle section of the movement is more dramatic, with a sudden shift to the key of C major. The movement ends with a return to the original theme, but with a more subdued and melancholic tone. The final movement, Allegro assai, is a lively and energetic piece that showcases Bach's virtuosity on the keyboard. It features rapid runs and arpeggios, as well as sudden shifts in dynamics and tempo. The movement ends with a brilliant coda that brings the sonata to a thrilling conclusion. Overall, the Sonata for keyboard in A major, H. 174, Wq. 65/37, is a masterpiece of the keyboard repertoire. It showcases Bach's skill in harmonic progression, expressive melody, and virtuosic keyboard technique. Its three movements are distinct in character and mood, yet they come together to form a cohesive and satisfying whole.

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