Composer

:

Edmund Rubbra

Genre

:

Chamber

Style

:

Meditation

Compose Date

:

1962

Publication Date

:

1964

First Performance

:

Dec 20, 1962

Average_duration

:

10:21

Edmund Rubbra's 'Meditations on a Byzantine Hymn O Quando in Cruce for solo viola, Op. 117' is a composition that was written in 1956. The piece was premiered in the same year by violist Frederick Riddle. The composition is divided into three movements, each of which is characterized by a distinct mood and style. The first movement, marked 'Lento', is a somber and introspective meditation on the hymn. The viola plays the melody in a mournful and expressive manner, with long, sustained notes that create a sense of longing and sadness. The harmonies are rich and complex, with dissonant chords that add to the emotional intensity of the piece. The second movement, marked 'Allegro', is a lively and rhythmic dance that contrasts sharply with the first movement. The viola plays a fast and intricate melody, with rapid runs and arpeggios that showcase the technical virtuosity of the performer. The harmonies are bright and colorful, with major chords and playful dissonances that create a sense of joy and celebration. The final movement, marked 'Lento', returns to the introspective mood of the first movement. The viola plays the hymn melody once again, but this time with a sense of resignation and acceptance. The harmonies are simpler and more straightforward, with a sense of resolution and closure that brings the piece to a peaceful conclusion. Overall, 'Meditations on a Byzantine Hymn O Quando in Cruce for solo viola, Op. 117' is a powerful and emotional work that showcases Rubbra's skill as a composer and his deep understanding of the viola as an instrument. The piece is a testament to the enduring power of religious music and the ability of music to express complex emotions and ideas.

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