Composer

:

Franz Liszt

Genre

:

Keyboard

Style

:

Fantasia & Fugue

Compose Date

:

1870

Publication Date

:

1871

First Performance

:

Mar 8, 1872

Average_duration

:

11:58

Franz Liszt's 'Fantasie & Fuge über das Thema B-A-C-H, for piano, S. 529/2' is a monumental work that pays tribute to the great composer Johann Sebastian Bach. Liszt composed this piece in 1855, and it premiered in Weimar, Germany, on August 19, 1856. The work is divided into two movements: the Fantasie and the Fuge. The Fantasie begins with a slow and somber introduction that sets the tone for the entire piece. Liszt uses the B-A-C-H motif throughout the Fantasie, which is a musical representation of Bach's name. The motif is introduced in the left hand and is then developed throughout the movement. The Fantasie is characterized by its virtuosic passages, dramatic contrasts, and complex harmonies. Liszt's use of chromaticism and dissonance creates a sense of tension and unease, which is then resolved in the Fuge. The Fuge is a complex and intricate piece that showcases Liszt's mastery of counterpoint. The B-A-C-H motif is used as the subject of the Fuge, and Liszt weaves it throughout the entire movement. The Fuge is characterized by its strict adherence to the rules of counterpoint, with each voice entering in turn and developing the subject. Liszt's use of chromaticism and modulation adds complexity and interest to the Fuge, and the piece builds to a thrilling climax before resolving in a triumphant coda. Overall, Liszt's 'Fantasie & Fuge über das Thema B-A-C-H, for piano, S. 529/2' is a masterful tribute to Johann Sebastian Bach. The piece showcases Liszt's virtuosity, his mastery of counterpoint, and his ability to create complex and dramatic musical works. The B-A-C-H motif is used throughout the piece, tying it together and creating a sense of unity. The work is a testament to Liszt's skill as a composer and his deep admiration for Bach's music.

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