Composer

:

Marc-Antoine Charpentier

Genre

:

Choral

Style

:

Choral

Compose Date

:

1683 - 1684

Average_duration

:

9:08

Movement_count

:

3

Movement ....

Marc-Antoine Charpentier's 'Pro omnibus festis B.V.M., H. 333' is a sacred choral work composed in the 17th century. The piece was composed in 1683 and premiered at the Church of Saint-Sulpice in Paris, France. The work is divided into four movements, each of which is dedicated to a different feast of the Virgin Mary. The first movement, 'Assumpta est Maria', is dedicated to the Feast of the Assumption. It is a joyful and celebratory piece that features a lively chorus and a solo soprano. The second movement, 'Stabat Mater', is dedicated to the Feast of Our Lady of Sorrows. It is a mournful and somber piece that features a solo alto and a chorus. The third movement, 'Ave Regina caelorum', is dedicated to the Feast of the Purification. It is a gentle and peaceful piece that features a solo soprano and a chorus. The final movement, 'Regina caeli laetare', is dedicated to the Feast of the Annunciation. It is a joyful and triumphant piece that features a lively chorus and a solo soprano. Charpentier's 'Pro omnibus festis B.V.M., H. 333' is characterized by its use of polyphony, which is the use of multiple voices or instruments to create a complex and harmonious sound. The work also features a variety of vocal techniques, including solo performances, duets, and choral arrangements. Overall, 'Pro omnibus festis B.V.M., H. 333' is a beautiful and moving piece of sacred music that showcases Charpentier's skill as a composer. Its use of different vocal techniques and its dedication to the different feasts of the Virgin Mary make it a unique and powerful work that continues to be performed and appreciated today.

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