Composer

:

Edmund Rubbra

Genre

:

Vocal

Style

:

Vocal Music

Average_duration

:

1:38

'Jesukin, Op.4/2' is a choral work composed by Edmund Rubbra, a British composer, in 1929. The piece was premiered in the same year at the Royal College of Music in London. The work is divided into three movements, each with its own distinct characteristics. The first movement, marked "Moderato," is a setting of a text by the Russian poet Konstantin Balmont. The music is characterized by a gentle, flowing melody in the choir, accompanied by a simple, yet effective piano accompaniment. The harmonies are mostly diatonic, with occasional chromatic inflections that add a touch of color to the music. The second movement, marked "Allegro," is a setting of a text by the Russian poet Alexander Blok. The music is more energetic and rhythmic than the first movement, with a lively piano accompaniment that drives the music forward. The choir sings in a more declamatory style, with frequent changes in dynamics and tempo. The harmonies are more complex than in the first movement, with frequent use of dissonance and chromaticism. The final movement, marked "Andante," is a setting of a text by the Russian poet Sergei Yesenin. The music is more introspective and contemplative than the previous movements, with a slower tempo and more sustained harmonies. The choir sings in a more legato style, with long phrases that build to a climax towards the end of the movement. The piano accompaniment is sparse, with occasional chords that provide a subtle harmonic support to the choir. Overall, 'Jesukin, Op.4/2' is a beautiful and expressive choral work that showcases Rubbra's skill as a composer. The music is characterized by its lyrical melodies, rich harmonies, and effective use of piano accompaniment. The three movements each have their own distinct character, but together they form a cohesive and satisfying whole.

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