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Johann Jacob Froberger
Tombeau fait à Paris sur la mort de Monsieur Blancrocher in C minor, FbWV 632
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Composer
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Johann Jacob Froberger
Genre
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Keyboard
Style
:
Keyboard
Average_duration
:
6:15
Johann Jacob Froberger's 'Tombeau fait à Paris sur la mort de Monsieur Blancrocher in C minor, FbWV 632' is a keyboard work composed in 1652. It was written as a tribute to Froberger's friend and fellow musician, Monsieur Blancrocher, who had passed away in Paris. The piece is a tombeau, a type of musical composition that was popular in the Baroque era and was used to mourn the death of a person of importance. The 'Tombeau fait à Paris' is divided into four movements, each with its own distinct character. The first movement is marked Lamentation, and it is a slow and mournful piece that sets the tone for the rest of the work. The second movement, marked Allemande, is a dance in a moderate tempo that provides a contrast to the first movement. The third movement, marked Courante, is another dance, this time in a faster tempo. The final movement, marked Sarabande, is a slow and stately dance that brings the work to a close. The 'Tombeau fait à Paris' is characterized by its use of ornamentation and its expressive melodies. Froberger was known for his skill in improvisation, and this is evident in the many embellishments and flourishes that are present throughout the work. The piece also features a number of chromatic passages, which were a hallmark of Froberger's style. The 'Tombeau fait à Paris' was premiered in Paris in 1652, and it quickly became popular throughout Europe. It was considered one of Froberger's finest works, and it was often performed at memorial services and other solemn occasions. The piece has since become a staple of the keyboard repertoire, and it is still performed and recorded today. In conclusion, Johann Jacob Froberger's 'Tombeau fait à Paris sur la mort de Monsieur Blancrocher in C minor, FbWV 632' is a beautiful and expressive tribute to a friend and fellow musician. Its four movements showcase Froberger's skill as a composer and improviser, and its use of ornamentation and chromaticism make it a masterpiece of the Baroque era.
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