Composer

:

Heinrich Ignaz Franz von Biber

Genre

:

Chamber

Style

:

Sonata

Compose Date

:

1676

Publication Date

:

1905

Average_duration

:

7:44

Movement_count

:

3

Movement ....

Heinrich Ignaz Franz von Biber's 'Mystery Sonata No. 6 in C minor The Agony in the Garden, C. 95' is a piece of music that was composed in the late 17th century. It is part of a collection of 15 sonatas that are collectively known as the 'Rosary Sonatas' or 'Mystery Sonatas'. The sonatas are based on the mysteries of the Rosary, a series of prayers that are central to the Catholic faith. The 'Mystery Sonata No. 6 in C minor The Agony in the Garden, C. 95' was composed in 1676 and premiered in Salzburg, Austria. It is the sixth sonata in the collection and is based on the first mystery of the Rosary, the Agony in the Garden. The sonata is divided into four movements, each of which represents a different aspect of the mystery. The first movement, titled 'Jesus in the Garden', is a slow and mournful piece that sets the scene for the Agony in the Garden. The second movement, 'The Disciples Sleeping', is a lively and rhythmic piece that represents the disciples' inability to stay awake and keep watch with Jesus. The third movement, 'The Agony of Jesus', is a slow and intense piece that represents Jesus' struggle and suffering in the garden. The final movement, 'The Angel Comforting Jesus', is a peaceful and serene piece that represents the comfort that Jesus receives from an angel. The 'Mystery Sonata No. 6 in C minor The Agony in the Garden, C. 95' is known for its use of scordatura, a technique in which the strings of the violin are tuned to a different pitch than usual. In this sonata, the violin is tuned to C-G-d'-a', which gives the piece a unique and haunting sound. The sonata also features a number of technical challenges for the violinist, including complex double stops and rapid passages. Overall, the 'Mystery Sonata No. 6 in C minor The Agony in the Garden, C. 95' is a powerful and emotional piece of music that captures the intensity of the Agony in the Garden. Its use of scordatura and technical challenges make it a favorite among violinists and audiences alike.

More....