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Sebastien Marq
ARTIST MUSICS
3
The Descent of Orpheus into the Underworld  Act 1, scene 2: Entrée of despairing nymphs and shepherds: "Lâche amant"
La descente d'Orphée aux Enfers  Act 1, scene 2: Entrée of despairing nymphs and shepherds: "Lâche amant"
2:17
5
The Descent of Orpheus into the Underworld  Act 1, scene 3: "Que d'un frivole espoir" - "Juste sujet de pleurs"
La descente d'Orphée aux Enfers  Act 1, scene 3: "Que d'un frivole espoir" - "Juste sujet de pleurs"
3:20
7
The Descent of Orpheus into the Underworld  Act 2, scene 2: Prélude: "Cessez, cessez, fameux coupables"
La descente d'Orphée aux Enfers  Act 2, scene 2: Prélude: "Cessez, cessez, fameux coupables"
3:45
8
The Descent of Orpheus into the Underworld  Act 2, scene 2: "Je ne refuse point le secours" - "Il n'est rien aux Enfers"
La descente d'Orphée aux Enfers  Act 2, scene 2: "Je ne refuse point le secours" - "Il n'est rien aux Enfers"
2:45
10
The Descent of Orpheus into the Underworld  Act 2, scene 3: Prélude: "Que cherche en mon palais"
La descente d'Orphée aux Enfers  Act 2, scene 3: Prélude: "Que cherche en mon palais"
56
11
The Descent of Orpheus into the Underworld  Act 2, scene 3: "Je ne viens point ici" - "Pauvre amant"
La descente d'Orphée aux Enfers  Act 2, scene 3: "Je ne viens point ici" - "Pauvre amant"
4:34
12
The Descent of Orpheus into the Underworld  Act 2, scene 3: "Euridice n'est plus" - "Le destin est contraire" - "Ah! Puisqu' avant le temps"
La descente d'Orphée aux Enfers  Act 2, scene 3: "Euridice n'est plus" - "Le destin est contraire" - "Ah! Puisqu' avant le temps"
4:9
13
The Descent of Orpheus into the Underworld  Act 2, scene 3: "Tu ne la perdras point, hélas!" - "Quel charme impérieux" - "Courage Orphée"
La descente d'Orphée aux Enfers  Act 2, scene 3: "Tu ne la perdras point, hélas!" - "Quel charme impérieux" - "Courage Orphée"
4:
30
Ode for St Cecilia's Day 1684  Begin the Song! your instruments advance -
Ode for St. Cecilia's Day, 1684  Begin the Song! your instruments advance -
 
2:33
31
Ode for St Cecilia's Day 1684  Bring gentlest thoughts, that into language glide
Ode for St. Cecilia's Day, 1684  Bring gentlest thoughts, that into language glide
 
2:56
32
Ode for St Cecilia's Day 1684  Hark how the waken'd strings resound
Ode for St. Cecilia's Day, 1684  Hark how the waken'd strings resound
 
3:5
34
Ode for St Cecilia's Day 1684  How dull were life, how hardly worth our care -
Ode for St. Cecilia's Day, 1684  How dull were life, how hardly worth our care -
 
1:41
36
Ode for St Cecilia's Day 1684  Music's the cordial of a troubled breast
Ode for St. Cecilia's Day, 1684  Music's the cordial of a troubled breast
 
3:38
37
Ode for St Cecilia's Day 1684  Come then, with tuneful breath and string
Ode for St. Cecilia's Day, 1684  Come then, with tuneful breath and string
 
1:18
41
Ode on the Death of Mr Henry Purcell  So ceas'd the rival crew When Purcell came -
Ode on the Death of Mr. Henry Purcell  So ceas'd the rival crew When Purcell came -
2:43
42
Ode on the Death of Mr Henry Purcell  We beg not hell our Orpheus to restore -
Ode on the Death of Mr. Henry Purcell  We beg not hell our Orpheus to restore -
1:55
43
Ode on the Death of Mr Henry Purcell  The power of harmony too well they know
Ode on the Death of Mr. Henry Purcell  The power of harmony too well they know
2:35
44
Ode on the Death of Mr Henry Purcell  The heavenly choir, who heard his notes from high -
Ode on the Death of Mr. Henry Purcell  The heavenly choir, who heard his notes from high -
3:3
45
Ode on the Death of Mr Henry Purcell  Ye brethren of the lyre, and tuneful voice
Ode on the Death of Mr. Henry Purcell  Ye brethren of the lyre, and tuneful voice
2:2
47
The nymphs of the wells  The Nymphs of the wells, and the Nymphs of the hills
The nymphs of the wells  The Nymphs of the wells, and the Nymphs of the hills
 
2:46
48
The nymphs of the wells  But here comes a Druid and we must retire -
The nymphs of the wells  But here comes a Druid and we must retire -
 
2:9
49
The nymphs of the wells  Blest be this morn, blest be the hand -
The nymphs of the wells  Blest be this morn, blest be the hand -
 
4:12
50
The nymphs of the wells  We Nymphs of the founts and we of the mounts
The nymphs of the wells  We Nymphs of the founts and we of the mounts
 
1:20
55
Dread sir the prince of light  Dread Sir, the Prince of Light begins to rise -
Dread sir, the prince of light  Dread Sir, the Prince of Light begins to rise -
 
1:22
56
Dread sir the prince of light  Let no disloyal cares his peace destory -
Dread sir, the prince of light  Let no disloyal cares his peace destory -
 
2:9
88
The Fairy Queen  Act II: Prelude for The Birds
The Fairy Queen  Act II: Prelude for The Birds
3:21
89
English Nightingale  Engels Nachtegaeltje, Der Fluyten Lust-Hof, Vol. 1
Engels Nachtegaeltje  Engels Nachtegaeltje, Der Fluyten Lust-Hof, Vol. 1
3:11
90
Sonata all'imitatione del Rossignuolo e del Cucco  Sonata all'imitazione del Rossignolo e del Cucco: Allegro - Gigue
Sonata all' imitatione del Rossignuolo e del Cucco  Sonata all'imitazione del Rossignolo e del Cucco: Allegro - Gigue
 
3:44
91
Le Rossignol-en-amour and Double (Harpsichord Pieces, III, 14th order)  Le Rossignol en amour (Troisième Livre de Pièces de Clavecin, Quatorzième Ordre)
Le Rossignol-en-amour et Double (Pièces de clavecin, III, 14e ordre)  Le Rossignol en amour (Troisième Livre de Pièces de Clavecin, Quatorzième Ordre)
3:29
94
Les Fauvétes Plaintives (Harpsichord Pieces, III, 14th Order)  Les Fauvétes Plaintives, for harpsichord (Pièces de clavecin, III, 14e ordre)
Les Fauvétes Plaintives (Pièces de clavecin, III, 14e ordre)  Les Fauvétes Plaintives, for harpsichord (Pièces de clavecin, III, 14e ordre)
4:18
95
Pièces pour la musette, Op. 5 Suite 1re. Le Coucou  Suite 1re. Le Coucou
Pièces pour la musette, Op. 5  Suite 1re. Le Coucou
 
2:22
98
La Poule, for harpsichord in G minor  La Poule (Nouvelles suites de Pièces de Clavecin)
La Poule, for harpsichord in G minor  La Poule (Nouvelles suites de Pièces de Clavecin)
5:1
100
Mother Goose  Laideronnette, impératrice des pagodes
Ma mère l'oye  Laideronnette, impératrice des pagodes
3:54
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