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Piano Concerto No. 23 in A major, K. 488 II. Andante

6:36

Piano Concerto No. 23 in A major, K. 488 III. Allegro assai

7:49

Sonata for 2 pianos in D major, K. 448 (375a) I. Allegro con spirito

8:2

Sonata for 2 pianos in D major, K. 448 (375a) II. Andante

9:1

Sonata for 2 pianos in D major, K. 448 (375a) III. Molto allegro

6:8

Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan" I. Allegro maestoso

13:54

Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan" II. Andante

5:18

Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan" III. Allegro vivace assai

6:56

Piano Quartet No. 1 in G minor, K. 478 I. Allegro

10:41

Piano Quartet No. 1 in G minor, K. 478 II. Andante

6:47

Piano Quartet No. 1 in G minor, K. 478 III. Rondo

7:53

Piano Sonata No. 15 in C major, K. 545 "Semplice Sonata" I. Allegro

Piano Sonata No. 15 in C major, K. 545 "Sonata semplice" I. Allegro

3:38

Piano Sonata No. 15 in C major, K. 545 "Semplice Sonata" II. Andante

Piano Sonata No. 15 in C major, K. 545 "Sonata semplice" II. Andante

5:23

Piano Sonata No. 15 in C major, K. 545 "Semplice Sonata" III. Rondo. Allegretto

Piano Sonata No. 15 in C major, K. 545 "Sonata semplice" III. Rondo. Allegretto

2:10

Piano Concerto No. 20 in D minor, K. 466 I. Allegro

13:21

Piano Concerto No. 20 in D minor, K. 466 II. Romance

8:20

Piano Concerto No. 20 in D minor, K. 466 III. Allegro assai

7:40

Piano Sonata No. 10 in C major, K. 330 (300h) I. Allegro moderato

9:12

Piano Sonata No. 10 in C major, K. 330 (300h) II. Andante cantabile

5:49

Piano Sonata No. 10 in C major, K. 330 (300h) III. Allegretto

5:36

Concerto for 2 pianos & orchestra in E flat major, K. 365 (316a) I. Allegro

10:2

Concerto for 2 pianos & orchestra in E flat major, K. 365 (316a) II. Andante

6:50

Concerto for 2 pianos & orchestra in E flat major, K. 365 (316a) III. Rondeau. Allegro

6:58

Piano Quartet No. 2 in E flat major, K. 493 I. Allegro

14:51

Piano Quartet No. 2 in E flat major, K. 493 II. Larghetto

12:49

Piano Quartet No. 2 in E flat major, K. 493 III. Allegretto

8:14

Piano Sonata No. 8 in A minor, K. 310 (300d) I. Allegro maestoso

8:28

Piano Sonata No. 8 in A minor, K. 310 (300d) II. Andante cantabile con espressione

8:47

Piano Sonata No. 8 in A minor, K. 310 (300d) III. Presto

3:4

Piano Concerto No. 17 in G major, K. 453 I. Allegro

11:56

Piano Concerto No. 17 in G major, K. 453 II. Andante

9:49

Piano Concerto No. 17 in G major, K. 453 III. Allegretto

7:43

Piano Sonata No. 12 in F major, K. 332 (300k) I. Allegro

9:9

Piano Sonata No. 12 in F major, K. 332 (300k) II. Adagio

3:58

Piano Sonata No. 12 in F major, K. 332 (300k) III. Allegro assai

6:56

Tomaso Albinoni

Adagio, for violin, strings & organ in G minor Adagio in G Minor

Albinoni: Adagio

5:53

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Introduction Introduction

Introduction

The uncle from Boston Act I: Overture [excerpt]

Der Onkel aus Boston Act I: Overture [excerpt]

Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823

1:14

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Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823 Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823

6:59

Children's piece, for piano in G major, Op. 72/1 Sechs Kinderst체cke, Op. 72 (Six Children's Pieces) - No. 1. Allegro non troppo

Kinderstück, for piano in G major, Op. 72/1 Sechs Kinderst체cke, Op. 72 (Six Children's Pieces) - No. 1. Allegro non troppo

An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847

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An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847 An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847

2:57

Song for my good father's birthday Lied zum Geburtstag meines guten Vaters

Lied zum Gebrutstag meines guten Vaters Lied zum Geburtstag meines guten Vaters

By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works

1:12

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By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works

5:40

Octet for strings in E flat major, Op. 20 III. Scherzo: Allegro leggierissimo [excerpt]

1:0

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A Similar Musical Atmosphere Was Created in the Second of Mendelssohn's Towering Early Works: His Overture to A Midsummer Night's Dream, Finished in Early August 1826 and, Like the Octet, Most Probably First Performed in the Family Home A Similar Musical Atmosphere Was Created in the Second of Mendelssohn's Towering Early Works: His Overture to A Midsummer Night's Dream, Finished in Early August 1826 and, Like the Octet, Most Probably First Performed in the Family Home

A Midsummer Night's Dream, overture, Op. 21 Overture [excerpt]

The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music

1:35

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The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music

3:10

Est time in G minor/A major [excerpt]

Hora est in G minor/A major [excerpt]

2:22

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1829 Saw the Beginning of Mendelssohn's Grand Tour of Europe, a Series of Excursions That Took the Composer North to Scotland and South to Italy, Both Countries Providing Inspiration for Symphonies He Would Go On to Write 1829 Saw the Beginning of Mendelssohn's Grand Tour of Europe, a Series of Excursions That Took the Composer North to Scotland and South to Italy, Both Countries Providing Inspiration for Symphonies He Would Go On to Write

2:31

The Hebrides in B minor, Op. 26 "Fingal's Cave" [excerpt]

At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony

1:6

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At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony

4:49

Symphony No. 4 in A major, Op. 90 Italian IV. Saltarello: Presto [excerpt]

Symphony No. 4 in A major, Op. 90 "Italian" IV. Saltarello: Presto [excerpt]

The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest...

1:8

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The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest... The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest...

2:8

Overture for orchestra in C major "Trumpet", Op. 101 [excerpt]

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The Success of Mendelssohn's Directorship of the D체sseldorf Festival - to One Commentator, ''the Greatest Public Success That He Had Yet Had in Germany' - Led to a Three-Year Appointment as Director of Music in the City The Success of Mendelssohn's Directorship of the D체sseldorf Festival - to One Commentator, ''the Greatest Public Success That He Had Yet Had in Germany' - Led to a Three-Year Appointment as Director of Music in the City

5:19

Paul, Op. 36 How Lovely Are the Messengers (Sung in English) [excerpt]

Paulus, Op. 36 How Lovely Are the Messengers (Sung in English) [excerpt]

Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud...

1:41

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Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud... Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud...

2:58

Motets (3) for female chorus & organ, Op. 39 No. 1. Veni, Domine (Hear My Prayer, O Lord) [excerpt]

The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'...

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The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'... The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'...

3:30

Organ Sonata No. 2 in C minor/C major, Op. 65/2 II. Allegro maestoso e vivace [excerpt]

It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ

1:5

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It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ

3:11

Violin Concerto in E minor, Op.64 III. Allegro molto vivace [excerpt]

Violin Concerto in E minor, Op. 64 III. Allegro molto vivace [excerpt]

Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece

1:9

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Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece

1:2

Hear My Prayer in G major [excerpt]

Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah...

1:28

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Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah... Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah...

2:6

Elijah, Op.70 Part II, No. 42. Alsdann wird euer Licht hervorbrechen (And Then Shall Your Light Break Forth [excerpt]

Elijah, Op. 70 Part II, No. 42. Alsdann wird euer Licht hervorbrechen (And Then Shall Your Light Break Forth [excerpt]

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Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes

Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes

3:37

Song Without Words for piano No. 28 in G major, Op. 62/4 Lieder ohne Worte (Songs without Words), Book 5, Op. 62 - No. 28 in G major, Op. 62, No. 4

1:26

Water Music Suite No. 1 for orchestra in F major, HWV 348 I. Overture

3:32

Water Music Suite No. 1 for orchestra in F major, HWV 348 II. Adagio e staccato

2:20

Water Music Suite No. 1 for orchestra in F major, HWV 348 III. Allegro

2:32

Water Music Suite No. 1 for orchestra in F major, HWV 348 IV. Andante

2:27

Water Music Suite No. 1 for orchestra in F major, HWV 348 V. Allegro da capo

2:30

Water Music Suite No. 1 for orchestra in F major, HWV 348 VI. Minuet

3:55

Water Music Suite No. 1 for orchestra in F major, HWV 348 VII. Air

7:12

Water Music Suite No. 1 for orchestra in F major, HWV 348 VIII. Minuet

3:59

Water Music Suite No. 1 for orchestra in F major, HWV 348 IX. Bourr챕e

1:4

Water Music Suite No. 1 for orchestra in F major, HWV 348 X. Hornpipe

1:21

Organ Concerto in B flat major, Op. 4/6, HWV 294 I. Andante - Allegro

5:19

Organ Concerto in B flat major, Op. 4/6, HWV 294 II. Larghetto

3:41

Organ Concerto in B flat major, Op. 4/6, HWV 294 III. Allegro moderato

2:11

Alcin Act 1. Aria. Tornami a vagheggiar

Alcina Act 1. Aria. Tornami a vagheggiar

4:34

Solomon, HWV 67 Act 3. Air. Ev'ry Sight These Eyes Behold

4:39

Joshua, HWV 64 Act 3. Air. Oh! Had I Jubal's Lyre

2:45

Concerto for two choirs No. 3 in F major, HWV 334 I. Overture. Grave

Concerto a due cori No. 3 in F major, HWV 334 I. Overture. Grave

1:37

Concerto for two choirs No. 3 in F major, HWV 334 II. Allegro

Concerto a due cori No. 3 in F major, HWV 334 II. Allegro

2:39

Concerto for two choirs No. 3 in F major, HWV 334 III. Allegro ma non troppo

Concerto a due cori No. 3 in F major, HWV 334 III. Allegro ma non troppo

2:56

Concerto for two choirs No. 3 in F major, HWV 334 IV. Adagio

Concerto a due cori No. 3 in F major, HWV 334 IV. Adagio

1:11

Concerto for two choirs No. 3 in F major, HWV 334 V. Andante larghetto

Concerto a due cori No. 3 in F major, HWV 334 V. Andante larghetto

3:41

Concerto for two choirs No. 3 in F major, HWV 334 VI. Allegro

Concerto a due cori No. 3 in F major, HWV 334 VI. Allegro

4:32

Sersa Act 1, Scene 1. Arioso. Ombra mai f첫

Serse Act 1, Scene 1. Arioso. Ombra mai f첫

5:11

Messiah, oratory, HWV 56 Sinfonia

Messiah, oratorio, HWV 56 Sinfonia

3:19

Messiah, oratory, HWV 56 Pt. 1. Arie. Doch wer wird ertragen den Tag seiner Ankunft

Messiah, oratorio, HWV 56 Pt. 1. Arie. Doch wer wird ertragen den Tag seiner Ankunft

4:24

Messiah, oratory, HWV 56 Pt. 1. Chor. Sein Joch ist sanft, die B체rde ist leicht

Messiah, oratorio, HWV 56 Pt. 1. Chor. Sein Joch ist sanft, die B체rde ist leicht

2:9

Messiah, oratory, HWV 56 Pt. 2. Arie. Er ward verschm채het und verachtet

Messiah, oratorio, HWV 56 Pt. 2. Arie. Er ward verschm채het und verachtet

9:8

Messiah, oratory, HWV 56 Pt. 2. Arie. Du fuhrst zum Himmel auf

Messiah, oratorio, HWV 56 Pt. 2. Arie. Du fuhrst zum Himmel auf

3:26

Messiah, oratory, HWV 56 Pt. 2. Arie. Du zerschl채gst sie mit dem eisernen Zepter

Messiah, oratorio, HWV 56 Pt. 2. Arie. Du zerschl채gst sie mit dem eisernen Zepter

2:5

Messiah, oratory, HWV 56 Pt. 2. Chor. Hallelujah

Messiah, oratorio, HWV 56 Pt. 2. Chor. Hallelujah

4:4

Messiah, oratory, HWV 56 Pt. 3. Duett. O Tod, o Tod, wo ist dein Stachel? - Chor. Drum Dank sei Dir, o Gott

Messiah, oratorio, HWV 56 Pt. 3. Duett. O Tod, o Tod, wo ist dein Stachel? - Chor. Drum Dank sei Dir, o Gott

3:59

100

Messiah, oratory, HWV 56 Pt. 3. Chor. W체rdig ist das Lamm, das da starb

Messiah, oratorio, HWV 56 Pt. 3. Chor. W체rdig ist das Lamm, das da starb