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M
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classic
Benjamin Britten
ARTIST MUSICS
8
A Boy Was Born, Op.3  In the bleak midwinter
A Boy Was Born, Op. 3  In the bleak midwinter
5:16
25
Simple Symphony, Op.4  3. Sentimental Saraband
Simple Symphony, Op. 4  3. Sentimental Saraband
7:48
32
Phaedra, Op.93  In May, in brilliant Athens
Phaedra, Op. 93  In May, in brilliant Athens
 
6:36
33
Phaedra, Op.93  Oh Gods of wrath
Phaedra, Op. 93  Oh Gods of wrath
 
2:50
34
Phaedra, Op.93  My time's too short, your highness
Phaedra, Op. 93  My time's too short, your highness
 
6:3
35
Young Person's Guide to the Orchestra, Op.34  Tuning up - These are sounds made by a hundred musicians playing many different kinds of instrument
Young Person's Guide to the Orchestra, Op. 34  Tuning up - These are sounds made by a hundred musicians playing many different kinds of instrument
1:4
38
Young Person's Guide to the Orchestra, Op.34  It is time that each instrument speak for itself. Variation A
Young Person's Guide to the Orchestra, Op. 34  It is time that each instrument speak for itself. Variation A
30
39
Young Person's Guide to the Orchestra, Op.34  When two oboes discuss the Theme, their observation may seem more penetrating. Variation B
Young Person's Guide to the Orchestra, Op. 34  When two oboes discuss the Theme, their observation may seem more penetrating. Variation B
43
40
Young Person's Guide to the Orchestra, Op.34  Clarinets are glib talkers and are very popular. Variation C
Young Person's Guide to the Orchestra, Op. 34  Clarinets are glib talkers and are very popular. Variation C
40
41
Young Person's Guide to the Orchestra, Op.34  Easily recognized is the gossip of the bassoon. Variation IV
Young Person's Guide to the Orchestra, Op. 34  Easily recognized is the gossip of the bassoon. Variation IV
51
43
Young Person's Guide to the Orchestra, Op.34  The alto voice of the viola is larger than the violin's. Variation F
Young Person's Guide to the Orchestra, Op. 34  The alto voice of the viola is larger than the violin's. Variation F
53
46
Young Person's Guide to the Orchestra, Op.34  Words plucked from any one of the harp's 47 strings are always easy to understand. Variation I
Young Person's Guide to the Orchestra, Op. 34  Words plucked from any one of the harp's 47 strings are always easy to understand. Variation I
52
48
Young Person's Guide to the Orchestra, Op.34  These two trumpets challenge each other in a brilliant exchange. Variation K
Young Person's Guide to the Orchestra, Op. 34  These two trumpets challenge each other in a brilliant exchange. Variation K
32
49
Young Person's Guide to the Orchestra, Op.34  The giants of the brass, the trombones and tuba, always like to have the last word. Variation L
Young Person's Guide to the Orchestra, Op. 34  The giants of the brass, the trombones and tuba, always like to have the last word. Variation L
59
50
Young Person's Guide to the Orchestra, Op.34  The comment of the percussion is right to the point. Variation M
Young Person's Guide to the Orchestra, Op. 34  The comment of the percussion is right to the point. Variation M
1:36
60
Cello Symphony, Op.68  4. Passacaglia (Andante allegro)
Cello Symphony, Op. 68  4. Passacaglia (Andante allegro)
7:30
91
The Illuminations, Op. 18  1. Fanfare. Maestoso (poco presto) -
Les illuminations, Op. 18  1. Fanfare. Maestoso (poco presto) -
2:
94
The Illuminations, Op. 18  3b. Antique. To K.H.W.S. Allegretto, un poco mosso
Les illuminations, Op. 18  3b. Antique. To K.H.W.S. Allegretto, un poco mosso
1:59
97
The Illuminations, Op. 18  6. Interlude, To E. M. Moderato ma comodo -
Les illuminations, Op. 18  6. Interlude, To E. M. Moderato ma comodo -
2:53
98
The Illuminations, Op. 18  7. Being Beauteous. To P. N. L. P. Lento ma comodo
Les illuminations, Op. 18  7. Being Beauteous. To P. N. L. P. Lento ma comodo
4:17
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