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M
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classic
Benjamin Britten
ARTIST MUSICS
3
Love from a Stranger  Love Music. [Excerpt]
Love from a Stranger  Love Music. [Excerpt]
 
2:55
11
Nightmail  Percussion Sequence
Night Mail  Percussion Sequence
 
55
12
Nightmail  End Sequence
Night Mail  End Sequence
 
4:8
13
The daughter  1. Allegro brillante
The Tocher  1. Allegro brillante
 
1:53
14
The daughter  2. Allegretto
The Tocher  2. Allegretto
 
2:20
15
The daughter  3. Allegretto
The Tocher  3. Allegretto
 
2:1
16
The daughter  4. Bolero: Allegro moderato
The Tocher  4. Bolero: Allegro moderato
 
2:
17
The daughter  5. Allegro con brio
The Tocher  5. Allegro con brio
 
1:18
18
The King's Stamp  Part 1. Allegro molto alla marcia
The King's Stamp  Part 1. Allegro molto alla marcia
 
38
19
The King's Stamp  Part 1. Allegro: 'Opening door...'
The King's Stamp  Part 1. Allegro: 'Opening door...'
 
2:20
20
The King's Stamp  Part 1. Allegretto: 'Messenger boy'
The King's Stamp  Part 1. Allegretto: 'Messenger boy'
 
40
21
The King's Stamp  Part 1. Lento ma non troppo: 'Entry to lithograph works'
The King's Stamp  Part 1. Lento ma non troppo: 'Entry to lithograph works'
 
1:46
22
The King's Stamp  Part 1. Allegro moderato: 'Stamp factory - Machine starts'
The King's Stamp  Part 1. Allegro moderato: 'Stamp factory - Machine starts'
 
2:48
23
The King's Stamp  Part 2. Minuet: Andante lento
The King's Stamp  Part 2. Minuet: Andante lento
 
56
24
The King's Stamp  Part 2. Allegretto: 'Train sequence'
The King's Stamp  Part 2. Allegretto: 'Train sequence'
 
1:37
25
The King's Stamp  Part 2. Allegretto: 'Parliament - The Stamp Bill'
The King's Stamp  Part 2. Allegretto: 'Parliament - The Stamp Bill'
 
53
27
The King's Stamp  Part 2. Allegro moderato alla marcia
The King's Stamp  Part 2. Allegro moderato alla marcia
 
1:17
28
Negroes/God's Chill  Allegro appassionato: Title Music
Negroes/God's Chillun  Allegro appassionato: Title Music
 
3:1
29
Negroes/God's Chill  1. Allegro: "In the middle ages"
Negroes/God's Chillun  1. Allegro: "In the middle ages"
 
1:4
30
Negroes/God's Chill  2. Allegro: "Then the Protuguese and Spaniards"
Negroes/God's Chillun  2. Allegro: "Then the Protuguese and Spaniards"
 
1:4
31
Negroes/God's Chill  3. Allegro ritmico: "At the mouth of the Senegal"
Negroes/God's Chillun  3. Allegro ritmico: "At the mouth of the Senegal"
 
1:8
32
Negroes/God's Chill  4. Andante con moto: "To sail from Africa to Jamaica"
Negroes/God's Chillun  4. Andante con moto: "To sail from Africa to Jamaica"
 
58
33
Negroes/God's Chill  5. Andante lento: "The more advanced thinkers in Europe"
Negroes/God's Chillun  5. Andante lento: "The more advanced thinkers in Europe"
 
1:32
34
Negroes/God's Chill  6. Andante con molto moto: "Still at their accustomed hour"
Negroes/God's Chillun  6. Andante con molto moto: "Still at their accustomed hour"
 
3:26
35
Negroes/God's Chill  7. Allegro ritmico: "Coffee from the Blue Mountains"
Negroes/God's Chillun  7. Allegro ritmico: "Coffee from the Blue Mountains"
 
50
36
The Way to the sea  Allegro: Introduction
The Way to the sea  Allegro: Introduction
33
37
The Way to the sea  Andante maestoso: Romans
The Way to the sea  Andante maestoso: Romans
39
38
The Way to the sea  Andante maestoso: Alfred
The Way to the sea  Andante maestoso: Alfred
48
39
The Way to the sea  Moderato: "There is, at this point of the haven"
The Way to the sea  Moderato: "There is, at this point of the haven"
1:27
40
The Way to the sea  Allegro: "The eighteenth century"
The Way to the sea  Allegro: "The eighteenth century"
1:19
41
The Way to the sea  Allegro con fuoco: "Nelson has gone"
The Way to the sea  Allegro con fuoco: "Nelson has gone"
56
42
The Way to the sea  Lento e pesante: "169 trains a week"
The Way to the sea  Lento e pesante: "169 trains a week"
41
44
The Way to the sea  Piu lento: "Here is a harbour"
The Way to the sea  Piu lento: "Here is a harbour"
3:
45
The Way to the sea  Slow: "We seek a spectacle"
The Way to the sea  Slow: "We seek a spectacle"
1:16
46
The Way to the sea  Allegro molto - alla marcia
The Way to the sea  Allegro molto - alla marcia
1:54
50
Men Behind the Meters  Andantino: "I Dreamt I Dwelt in Marble Halls"
Men Behind the Meters  Andantino: "I Dreamt I Dwelt in Marble Halls"
 
1:33
51
Men Behind the Meters  Allegro moderato: 1935 Sequence
Men Behind the Meters  Allegro moderato: 1935 Sequence
 
1:16
52
Coalface  1. Andante: "A sterile landscape"
Coal Face  1. Andante: "A sterile landscape"
39
53
Coalface  2. "Coal mining is the basic industry of Britain"
Coal Face  2. "Coal mining is the basic industry of Britain"
1:10
54
Coalface  3. Andante: "The chief coal-producing centres"
Coal Face  3. Andante: "The chief coal-producing centres"
42
55
Coalface  4. "Yorkshire and Lancashire"
Coal Face  4. "Yorkshire and Lancashire"
1:1
56
Coalface  5. Moderato: "The temp'rature often reaches"
Coal Face  5. Moderato: "The temp'rature often reaches"
28
57
Coalface  6. Andante: "The seven and a half hour shift"
Coal Face  6. Andante: "The seven and a half hour shift"
47
58
Coalface  7. Ad libitum sempre: "One thirty a.m."
Coal Face  7. Ad libitum sempre: "One thirty a.m."
50
59
Coalface  8. Allegro ma non troppo: "In many pits"
Coal Face  8. Allegro ma non troppo: "In many pits"
1:4
60
Coalface  9. Allegro molto: "The shift is finished"
Coal Face  9. Allegro molto: "The shift is finished"
2:3
61
Coalface  10. "Making up coal trains"
Coal Face  10. "Making up coal trains"
2:26
62
Coalface  11. Allegro: "Coal mining is the basic industry"
Coal Face  11. Allegro: "Coal mining is the basic industry"
14
63
Coalface  12. Andante: "There are the miners"
Coal Face  12. Andante: "There are the miners"
23
65
Coalface  The shift is finished
Coal Face  The shift is finished
2:5
66
Nightmail  This Is the Night Mail Crossing the Border
Night Mail  This Is the Night Mail Crossing the Border
 
4:8
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