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Michelle Breedt
ARTIST MUSICS
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Tristan and Isolde  Act III: Scene 1: Noch ist kein Schiff zu seh'n!
Tristan und Isolde  Act III: Scene 1: Noch ist kein Schiff zu seh'n!
5:37
2
Tristan and Isolde  Act III: Scene 1: Die nie erstirbt, sehnend nun ruft
Tristan und Isolde  Act III: Scene 1: Die nie erstirbt, sehnend nun ruft
7:6
3
Tristan and Isolde  Act III: Scene 1: Bist du nun tot? Lebst du noch?
Tristan und Isolde  Act III: Scene 1: Bist du nun tot? Lebst du noch?
6:22
4
Tristan and Isolde  Act III: Scene 1: O Wonne! Freude!
Tristan und Isolde  Act III: Scene 1: O Wonne! Freude!
3:28
5
Tristan and Isolde  Act III: Scene 2: O diese Sonne! Ha, dieser Tag!
Tristan und Isolde  Act III: Scene 2: O diese Sonne! Ha, dieser Tag!
3:31
6
Tristan and Isolde  Act III: Scene 2: Ich bin's, ich bin's, süßester Freund!
Tristan und Isolde  Act III: Scene 2: Ich bin's, ich bin's, süßester Freund!
5:50
7
Tristan and Isolde  Act III: Scene 3: Kurwenal! Hör! Ein zweites Schiff
Tristan und Isolde  Act III: Scene 3: Kurwenal! Hör! Ein zweites Schiff
3:29
8
Tristan and Isolde  Act III: Scene 3: Tristan! Tristan! Isolde! Weh'!
Tristan und Isolde  Act III: Scene 3: Tristan! Tristan! Isolde! Weh'!
5:7
9
Tristan and Isolde  Act III: Scene 3: Mild und leise wie er lächelt
Tristan und Isolde  Act III: Scene 3: Mild und leise wie er lächelt
7:37
11
Tannhäuser  Naht euch dem Strande!
Tannhäuser  Naht euch dem Strande!
4:53
12
Tannhäuser  Geliebter, sag', wo weilt dein Sinn?
Tannhäuser  Geliebter, sag', wo weilt dein Sinn?
4:9
13
Tannhäuser  Dir töne Lob! Die Wunder sei'n gepriesen
Tannhäuser  Dir töne Lob! Die Wunder sei'n gepriesen
3:
14
Tannhäuser  Dank deiner Huld! Gepriesen sei dein Lieben!
Tannhäuser  Dank deiner Huld! Gepriesen sei dein Lieben!
2:45
15
Tannhäuser  Geliebter, komm! Sieh dort die Grotte
Tannhäuser  Geliebter, komm! Sieh dort die Grotte
2:50
16
Tannhäuser  Stets soll nur dir mein Lied ertönen
Tannhäuser  Stets soll nur dir mein Lied ertönen
1:42
17
Tannhäuser  Zieh' hin, Wahnsinniger! Zieh' hin!
Tannhäuser  Zieh' hin, Wahnsinniger! Zieh' hin!
1:37
18
Tannhäuser  Ach, schöne Göttin, lebe wohl!
Tannhäuser  Ach, schöne Göttin, lebe wohl!
2:8
19
Tannhäuser  Frau Holda kam aus dem Berg hervor
Tannhäuser  Frau Holda kam aus dem Berg hervor
2:56
20
Tannhäuser  Zu dir wall' ich, mein Jesus Christ
Tannhäuser  Zu dir wall' ich, mein Jesus Christ
6:37
21
Tannhäuser  Wer ist der dort in brünstigem Gebete?
Tannhäuser  Wer ist der dort in brünstigem Gebete?
5:10
22
Tannhäuser  Als du in kühnem Sange uns bestrittest
Tannhäuser  Als du in kühnem Sange uns bestrittest
6:16
23
Tannhäuser  Dich, teure Halle, grüß' ich wieder
Tannhäuser  Dich, teure Halle, grüß' ich wieder
5:5
24
Tannhäuser  Dort ist sie; nahe dich ihr ungestört!... Der Sänger klugen Weisen lauscht' ich sonst gern und viel
Tannhäuser  Dort ist sie; nahe dich ihr ungestört!... Der Sänger klugen Weisen lauscht' ich sonst gern und viel
7:8
25
Tannhäuser  Dden Gott der Liebe sollst du preisen
Tannhäuser  Dden Gott der Liebe sollst du preisen
4:3
26
Tannhäuser  Dich treff' ich hier in dieser Halle, die so lange du gemieden?
Tannhäuser  Dich treff' ich hier in dieser Halle, die so lange du gemieden?
4:7
27
Tannhäuser  Arrival of the guests
Tannhäuser  Arrival of the guests
2:34
28
Tannhäuser  Freudig begrüßen wir die edle Halle
Tannhäuser  Freudig begrüßen wir die edle Halle
5:9
29
Tannhäuser  Gar viel und schön ward hier in dieser Halle von euch, ihr lieben Sänger, schon gesungen
Tannhäuser  Gar viel und schön ward hier in dieser Halle von euch, ihr lieben Sänger, schon gesungen
5:55
30
Tannhäuser  Blick' ich umher in diesem edlen Kreise
Tannhäuser  Blick' ich umher in diesem edlen Kreise
4:54
31
Tannhäuser  Auch ich darf mich so glücklich nennen zu schau'n, was, Wolfram, du geschaut!
Tannhäuser  Auch ich darf mich so glücklich nennen zu schau'n, was, Wolfram, du geschaut!
1:19
32
Tannhäuser  Den Bronnen, den uns Wolfram nannte, ihn schaut auch meines Geistes Licht
Tannhäuser  Den Bronnen, den uns Wolfram nannte, ihn schaut auch meines Geistes Licht
2:3
33
Tannhäuser  O Walther, der du also sangest, du hast die Liebe arg entstellt!
Tannhäuser  O Walther, der du also sangest, du hast die Liebe arg entstellt!
1:14
34
Tannhäuser  Heraus zum Kampfe mit uns allen!
Tannhäuser  Heraus zum Kampfe mit uns allen!
1:59
35
Tannhäuser  O Himmel! lass' dich jetzt erflehen! gib meinem Lied der Weihe Preis!... Dir, Göttin der Liebe, soll mein Lied ertönen
Tannhäuser  O Himmel! lass' dich jetzt erflehen! gib meinem Lied der Weihe Preis!... Dir, Göttin der Liebe, soll mein Lied ertönen
2:6
36
Tannhäuser  Ha, der Verruchte!
Tannhäuser  Ha, der Verruchte!
3:12
37
Tannhäuser  Der Unglücksel'ge, den gefangen ein furchtbar mächt' ger Zauber hält
Tannhäuser  Der Unglücksel'ge, den gefangen ein furchtbar mächt' ger Zauber hält
3:23
38
Tannhäuser  Weh'! Weh' mir Unglücksel' gem!
Tannhäuser  Weh'! Weh' mir Unglücksel' gem!
5:47
39
Tannhäuser  Ein furchtbares Verbrechen ward begangen
Tannhäuser  Ein furchtbares Verbrechen ward begangen
2:17
40
Tannhäuser  Versammelt sind aus meinen Landen bußfert'ge Pilger
Tannhäuser  Versammelt sind aus meinen Landen bußfert'ge Pilger
6:16
42
Tannhäuser  Wohl wusst' ich hier sie im Gebet zu finden
Tannhäuser  Wohl wusst' ich hier sie im Gebet zu finden
2:54
43
Tannhäuser  Beglückt darf nun dich, o Heimat, ich schauen
Tannhäuser  Beglückt darf nun dich, o Heimat, ich schauen
4:20
44
Tannhäuser  Allmächt'ge Jungfrau, hör' mein Flehen!
Tannhäuser  Allmächt'ge Jungfrau, hör' mein Flehen!
7:38
45
Tannhäuser  Wie Todesahnung Dämm'rung deckt die Lande
Tannhäuser  Wie Todesahnung Dämm'rung deckt die Lande
2:20
46
Tannhäuser  O du, mein holder Abendstern
Tannhäuser  O du, mein holder Abendstern
2:59
47
Tannhäuser  Ich hörte Harfenschlag, wie klang er traurig!
Tannhäuser  Ich hörte Harfenschlag, wie klang er traurig!
4:34
48
Tannhäuser  Inbrunst im Herzen, wie kein Büßer noch sie je gefühlt
Tannhäuser  Inbrunst im Herzen, wie kein Büßer noch sie je gefühlt
8:23
49
Tannhäuser  Dahin zog's mich, wo ich der Wonn' und Lust so viel genoss, an ihrer warmen Brust!... Halt' ein, Unsel'ger!
Tannhäuser  Dahin zog's mich, wo ich der Wonn' und Lust so viel genoss, an ihrer warmen Brust!... Halt' ein, Unsel'ger!
2:31
50
Tannhäuser  Willkommen, ungetreuer Mann!... Der Seele Heil
Tannhäuser  Willkommen, ungetreuer Mann!... Der Seele Heil
4:17
51
Tannhäuser  Heil! Heil! Der Gnade Wunder Heil!
Tannhäuser  Heil! Heil! Der Gnade Wunder Heil!
2:30
55
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Bits and pieces are all we may know about the music of Antonín Dvořák  Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Bits and pieces are all we may know about the music of Antonín Dvořák
 
4:3
57
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.  The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
 
2:57
59
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague  Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
 
2:48
60
Symphony No. 6 in G major "Historical", Op. 116  IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
Symphony No. 6 in G major "Historical", Op. 116  IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
37
61
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the  Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
 
2:30
63
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....  Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
 
1:34
65
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....  In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
 
1:24
67
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.  Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
 
3:56
68
King and Charcoal Burner  Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
King and Charcoal Burner  Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
41
69
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time  It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
 
2:5
71
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise  In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
 
2:16
73
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da  While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
 
2:47
75
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.  In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
 
1:21
77
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.  Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
 
3:12
78
Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90  I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90  I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
2:0
79
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.  In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
 
3:19
80
Te Deum, B. 176, Op. 103  Te Deum laudamus: Allegro moderato, maestoso [excerpt]
Te Deum, B. 176, Op. 103  Te Deum laudamus: Allegro moderato, maestoso [excerpt]
1:31
81
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso  The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
 
3:11
83
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York  Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
 
3:36
84
Cello Concerto in B minor, B. 191, Op. 104  III. Finale: Andante - Allegro vivo [excerpt]
Cello Concerto in B minor, B. 191, Op. 104  III. Finale: Andante - Allegro vivo [excerpt]
1:13
85
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr  The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
 
2:58
87
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples During his final years, Dvořák became the recipient of various honours...  During his final years, Dvořák became the recipient of various honours...
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  During his final years, Dvořák became the recipient of various honours...
 
3:50
88
Armida, opus, B. 206, Op.115  Act I: Scene 1: Jak z dervišových prstů řinou (As delightful rosary beads glide in the hands of the dervishes) [excerpt]
Armida, opera, B. 206, Op.115  Act I: Scene 1: Jak z dervišových prstů řinou (As delightful rosary beads glide in the hands of the dervishes) [excerpt]
1:40
89
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by  Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
 
2:33
92
The Marriage of Figaro  Act I: Aria: Non so piu cosa son faccio
Le nozze di Figaro  Act I: Aria: Non so piu cosa son faccio
2:28
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