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1
German Anonymous
German Anonymous
Musical armory on the harp
Entrée
Musikalische Rüstkammer auff der Harffe
Entrée
Telemann and the Leipzig Opera
42
2
German Anonymous
German Anonymous
Musical armory on the harp
Aria 3
Musikalische Rüstkammer auff der Harffe
Aria 3
Telemann and the Leipzig Opera
36
3
German Anonymous
German Anonymous
Musical armory on the harp
Wer nicht mit der Welt viel vom Saufen hält
Musikalische Rüstkammer auff der Harffe
Wer nicht mit der Welt viel vom Saufen hält
Telemann and the Leipzig Opera
1:2
4
German Anonymous
German Anonymous
Musical armory on the harp
Menuett 4
Musikalische Rüstkammer auff der Harffe
Menuett 4
Telemann and the Leipzig Opera
1:27
5
German Anonymous
German Anonymous
Musical armory on the harp
Menuett 29
Musikalische Rüstkammer auff der Harffe
Menuett 29
Telemann and the Leipzig Opera
1:59
6
German Anonymous
German Anonymous
Musical armory on the harp
Ein Blick von deinen schönen Augen (attrib. Telemann, from "Die köngliche Schäferin Margenis")
Musikalische Rüstkammer auff der Harffe
Ein Blick von deinen schönen Augen (attrib. Telemann, from "Die köngliche Schäferin Margenis")
Telemann and the Leipzig Opera
1:46
7
German Anonymous
German Anonymous
Musical armory on the harp
Menuett 3
Musikalische Rüstkammer auff der Harffe
Menuett 3
Telemann and the Leipzig Opera
52
8
German Anonymous
German Anonymous
Musical armory on the harp
Heutzutage macht das Geld nur Freunde in der Welt (attrib. Telemann, from "Der lachende Democritus")
Musikalische Rüstkammer auff der Harffe
Heutzutage macht das Geld nur Freunde in der Welt (attrib. Telemann, from "Der lachende Democritus")
Telemann and the Leipzig Opera
1:22
9
German Anonymous
German Anonymous
Musical armory on the harp
Die Blumen deiner schönen Wangen (attrib. Telemann, from "Der unglückliche Alcmeon")
Musikalische Rüstkammer auff der Harffe
Die Blumen deiner schönen Wangen (attrib. Telemann, from "Der unglückliche Alcmeon")
Telemann and the Leipzig Opera
3:10
10
German Anonymous
German Anonymous
Musical armory on the harp
Zürne nicht, geliebte Seele (attrib. Telemann, from "Der gestürzte Epopeus")
Musikalische Rüstkammer auff der Harffe
Zürne nicht, geliebte Seele (attrib. Telemann, from "Der gestürzte Epopeus")
Telemann and the Leipzig Opera
1:32
11
German Anonymous
German Anonymous
Musical armory on the harp
Menuett, Bourrée
Musikalische Rüstkammer auff der Harffe
Menuett, Bourrée
Telemann and the Leipzig Opera
1:43
12
German Anonymous
German Anonymous
Musical armory on the harp
Menuett 7
Musikalische Rüstkammer auff der Harffe
Menuett 7
Telemann and the Leipzig Opera
1:15
13
German Anonymous
German Anonymous
Musical armory on the harp
Angenehmster Zuckerstengel (after Bononcini's "Adorata mia chiavetta" from "Mario fuggitivo")
Musikalische Rüstkammer auff der Harffe
Angenehmster Zuckerstengel (after Bononcini's "Adorata mia chiavetta" from "Mario fuggitivo")
Telemann and the Leipzig Opera
3:21
14
German Anonymous
German Anonymous
Musical armory on the harp
Alle Tage Schöpsenbraten (attrib. Telemann, from "Der unglückliche Alcmeon")
Musikalische Rüstkammer auff der Harffe
Alle Tage Schöpsenbraten (attrib. Telemann, from "Der unglückliche Alcmeon")
Telemann and the Leipzig Opera
1:27
15
German Anonymous
German Anonymous
Musical armory on the harp
Menuett, Bourrée, Aria, Menuett da capo
Musikalische Rüstkammer auff der Harffe
Menuett, Bourrée, Aria, Menuett da capo
Telemann and the Leipzig Opera
2:51
16
German Anonymous
German Anonymous
Musical armory on the harp
Ihr Grillen, weicht, ihr Sorgen, flieht
Musikalische Rüstkammer auff der Harffe
Ihr Grillen, weicht, ihr Sorgen, flieht
Telemann and the Leipzig Opera
1:56
17
German Anonymous
German Anonymous
Musical armory on the harp
Nun braucht's kein weiter Zeugnis nicht (attrib. Heinichen, from "Die getreue Schäferin Daphne")
Musikalische Rüstkammer auff der Harffe
Nun braucht's kein weiter Zeugnis nicht (attrib. Heinichen, from "Die getreue Schäferin Daphne")
Telemann and the Leipzig Opera
3:15
18
German Anonymous
German Anonymous
Musical armory on the harp
Harte Fesseln, strenge Ketten (attrib. Telemann, from "Die syrische Unruh")
Musikalische Rüstkammer auff der Harffe
Harte Fesseln, strenge Ketten (attrib. Telemann, from "Die syrische Unruh")
Telemann and the Leipzig Opera
2:1
19
German Anonymous
German Anonymous
Musical armory on the harp
Ach, was für Qual und Schmerz (attrib. Telemann, from "Der unglückliche Alcmeon")
Musikalische Rüstkammer auff der Harffe
Ach, was für Qual und Schmerz (attrib. Telemann, from "Der unglückliche Alcmeon")
Telemann and the Leipzig Opera
5:19
20
German Anonymous
German Anonymous
Musical armory on the harp
Aimable vainqueur
Musikalische Rüstkammer auff der Harffe
Aimable vainqueur
Telemann and the Leipzig Opera
1:37
21
German Anonymous
German Anonymous
Musical armory on the harp
Nichts vergnügter's ist zu finden (attrib. Telemann, from "Ariadne")
Musikalische Rüstkammer auff der Harffe
Nichts vergnügter's ist zu finden (attrib. Telemann, from "Ariadne")
Telemann and the Leipzig Opera
1:38
22
German Anonymous
German Anonymous
Musical armory on the harp
Kehre wieder, mein Vergnügen (attrib. Telemann, from "Die Satyren in Arcadien")
Musikalische Rüstkammer auff der Harffe
Kehre wieder, mein Vergnügen (attrib. Telemann, from "Die Satyren in Arcadien")
Telemann and the Leipzig Opera
4:14
23
German Anonymous
German Anonymous
Musical armory on the harp
Menuett 5 (Schönster Engel)
Musikalische Rüstkammer auff der Harffe
Menuett 5 (Schönster Engel)
Telemann and the Leipzig Opera
1:3
24
German Anonymous
German Anonymous
Musical armory on the harp
Wenn ich sterbe
Musikalische Rüstkammer auff der Harffe
Wenn ich sterbe
Telemann and the Leipzig Opera
1:18
25
Giovanni Battista Vitali
Giovanni Battista Vitali
Ruggiero per lettera B
Ruggiero per la lettera B
Bassi
2:42
26
Giovanni Battista Vitali
Giovanni Battista Vitali
Bergamasca for the letter B
Bergamasca per la lettera B
Bassi
2:37
27
Girolamo Frescobaldi
Girolamo Frescobaldi
In the score, the first book of songs ... No. 16, for two basses, "called the Saminiata"
Canzona decimasesta detta la Samminiata. A due Bassi
In partitura, il primo libro della canzoni ... No. 16, a due bassi, "detta la Saminiata"
Canzona decimasesta detta la Samminiata. A due Bassi
Bassi
3:28
28
Domenico Pellegrini
Domenico Pellegrini
Corrente & set
Courante per la X
Corrente & ensemble
Courante per la X
Bassi
2:42
29
Diego Ortiz
Diego Ortiz
Closed (4) on Sandrin's "Doulce memoire"
Recercada Primera sobre Doulce Memoire
Recercadas (4) on Sandrin's "Doulce memoire"
Recercada Primera sobre Doulce Memoire
Bassi
3:16
30
Bellerofonte Castaldi
Bellerofonte Castaldi
Correct Cromatica
Cromatica corrente
Bassi
1:23
31
Girolamo Frescobaldi
Girolamo Frescobaldi
In the score, the first book of songs ... No. 14, for two basses, "called la Marina"
Canzona decimaquarta detta la marina. A due Bassi
In partitura, il primo libro della canzoni ... No. 14, a due bassi, "detta la Marina"
Canzona decimaquarta detta la marina. A due Bassi
Bassi
3:48
32
Bartolome de Selma y Salaverde
Bartolome de Selma y Salaverde
Fantasia a basso solo (Canzoni, fantasie and correnti No. 10)
Fantasia per Basso solo
Fantasia a basso solo (Canzoni, fantasie et correnti No. 10)
Fantasia per Basso solo
Bassi
5:10
33
Giovanni Battista Vitali
Giovanni Battista Vitali
Chiacona per the letter B
Toccata, Chiacona per la Lettera B
Chiacona per la lettera B
Toccata, Chiacona per la Lettera B
Bassi
3:25
34
Giovanni Battista Vitali
Giovanni Battista Vitali
Caption sopra otto figure
Capritio sopra ono figure
Capritio sopra otto figure
Capritio sopra ono figure
Bassi
4:8
35
Girolamo Frescobaldi
Girolamo Frescobaldi
Songs to be played...first book, No. 34
Canzona quarta a due Bassi
Canzoni da sonare...libro primo, No. 34
Canzona quarta a due Bassi
Bassi
3:15
36
Francesco Rognoni
Francesco Rognoni
Passaggi on Lassau's "Susanna one day"
Susanna d'Orlando. Modo di passegiar per il violone over trombone alla bastarda
Passaggi on Lassau's "Susanna un jour"
Susanna d'Orlando. Modo di passegiar per il violone over trombone alla bastarda
Bassi
6:32
37
Giuseppe Colombi
Giuseppe Colombi
Chiacona to Basso Solo del Colombi
Chiaccona
Chiacona a Basso Solo del Colombi
Chiaccona
Bassi
2:51
38
Girolamo Frescobaldi
Girolamo Frescobaldi
In the score, the first book of songs ... No. 7, bass solo, "called la Tuccina" (the Superba)
Canzona settima detta la Superba. A Basso solo
In partitura, il primo libro della canzoni ... No. 7, basso solo, "detta la Tuccina" (la Superba)
Canzona settima detta la Superba. A Basso solo
Bassi
3:52
39
Girolamo Frescobaldi
Girolamo Frescobaldi
In the score, the first book of songs ... No. 15, for two basses, "called the Licuoratta"
Canzona quintadecima detta la Lieuoratta. A due Bassi
In partitura, il primo libro della canzoni ... No. 15, a due bassi, "detta la Licuoratta"
Canzona quintadecima detta la Lieuoratta. A due Bassi
Bassi
4:8
40
Bellerofonte Castaldi
Bellerofonte Castaldi
Tasteggio Soave
Tastegio Soave
Tasteggio Soave
Tastegio Soave
Bassi
3:30
41
Bellerofonte Castaldi
Bellerofonte Castaldi
Fulminant galliarda
Fulminante galliarda
Bassi
1:42
42
Giovanni Battista Vitali
Giovanni Battista Vitali
Passa Galli for the letter E
Passa Galli per la lettera E
Bassi
2:32
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