Francesco Rognoni
Passaggi on Lassau's "Susanna un jour"
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Composer:Francesco RognoniGenre:ChamberStyle:Chamber MusicAverage_duration:4:49Passaggi on Lassau's Susanna un jour is a composition by Italian composer Francesco Rognoni. It was composed in the late 16th century and premiered in Italy during the Renaissance period. The piece is divided into several movements, each with its own unique characteristics. The first movement of Passaggi on Lassau's Susanna un jour is characterized by its lively and energetic tempo. The melody is played on a variety of instruments, including the recorder, viola da gamba, and lute. The movement features a series of intricate passaggi, or ornamentations, which are typical of the Italian Renaissance style. The second movement of the piece is slower and more contemplative. It features a solo recorder playing a mournful melody, accompanied by the lute and viola da gamba. The movement is notable for its use of dissonance and chromaticism, which were common features of Renaissance music. The third movement of Passaggi on Lassau's Susanna un jour is a lively dance, featuring a fast tempo and intricate rhythms. The melody is played on the recorder, accompanied by the lute and viola da gamba. The movement is characterized by its use of syncopation and complex polyphony. The final movement of the piece is a slow and contemplative aria, featuring a solo voice accompanied by the lute and viola da gamba. The melody is simple and plaintive, with a focus on the expressive qualities of the voice. The movement is notable for its use of dissonance and chromaticism, which were common features of Renaissance music. Overall, Passaggi on Lassau's Susanna un jour is a complex and intricate composition, showcasing the virtuosity of the performers and the expressive qualities of Renaissance music. The piece is notable for its use of ornamentation, dissonance, and chromaticism, which were common features of the Italian Renaissance style.More....
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Passaggi on Lassau's "Susanna one day"
Susanna d'Orlando. Modo di passegiar per il violone over trombone alla bastarda
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