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classic
Grace Hoffmann
ARTIST MUSICS
1
An Introduction to Wagner's "The Ring of the Nibelung"  Of all great musical compositions... [Examples 1-4]
An Introduction to Wagner's "Der Ring des Nibelungen"  Of all great musical compositions... [Examples 1-4]
 
3:37
3
An Introduction to Wagner's "The Ring of the Nibelung"  Returning now to the Nature Motive... [Examples 6, 12-16]
An Introduction to Wagner's "Der Ring des Nibelungen"  Returning now to the Nature Motive... [Examples 6, 12-16]
 
3:22
4
An Introduction to Wagner's "The Ring of the Nibelung"  A number of further motives... [Examples 5, 17-21]
An Introduction to Wagner's "Der Ring des Nibelungen"  A number of further motives... [Examples 5, 17-21]
 
3:17
5
An Introduction to Wagner's "The Ring of the Nibelung"  A second, much smaller family... [Examples 22-25]
An Introduction to Wagner's "Der Ring des Nibelungen"  A second, much smaller family... [Examples 22-25]
 
2:35
7
An Introduction to Wagner's "The Ring of the Nibelung"  The cause of the deterioration... [Examples 39-44]
An Introduction to Wagner's "Der Ring des Nibelungen"  The cause of the deterioration... [Examples 39-44]
 
3:30
11
An Introduction to Wagner's "The Ring of the Nibelung"  The basic motive associated with the spear... [Examples 62-68]
An Introduction to Wagner's "Der Ring des Nibelungen"  The basic motive associated with the spear... [Examples 62-68]
 
5:17
12
An Introduction to Wagner's "The Ring of the Nibelung"  Along another, more complex line... [Examples 69-72]
An Introduction to Wagner's "Der Ring des Nibelungen"  Along another, more complex line... [Examples 69-72]
 
2:12
13
An Introduction to Wagner's "The Ring of the Nibelung"  In Act Two of "Walküre"... [Examples 69, 73-75]
An Introduction to Wagner's "Der Ring des Nibelungen"  In Act Two of "Walküre"... [Examples 69, 73-75]
 
2:21
14
An Introduction to Wagner's "The Ring of the Nibelung"  Returning now to Act Two of "Walküre"... [Examples 76-79]
An Introduction to Wagner's "Der Ring des Nibelungen"  Returning now to Act Two of "Walküre"... [Examples 76-79]
 
3:54
15
An Introduction to Wagner's "The Ring of the Nibelung"  Love is another of the central symbols... [Examples 80-83]
An Introduction to Wagner's "Der Ring des Nibelungen"  Love is another of the central symbols... [Examples 80-83]
 
3:6
17
An Introduction to Wagner's "The Ring of the Nibelung"  Freia's Motive has two independent segments... [Examples 88-91]
An Introduction to Wagner's "Der Ring des Nibelungen"  Freia's Motive has two independent segments... [Examples 88-91]
 
2:1
19
An Introduction to Wagner's "The Ring of the Nibelung"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
An Introduction to Wagner's "Der Ring des Nibelungen"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
 
5:23
20
An Introduction to Wagner's "The Ring of the Nibelung"  A little later in this interlude... [Examples 99-103]
An Introduction to Wagner's "Der Ring des Nibelungen"  A little later in this interlude... [Examples 99-103]
 
3:7
22
An Introduction to Wagner's "The Ring of the Nibelung"  There are several independent love-themes... [Examples 110-114]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are several independent love-themes... [Examples 110-114]
 
2:55
23
An Introduction to Wagner's "The Ring of the Nibelung"  The characters in whose lives... [Examples 115-120]
An Introduction to Wagner's "Der Ring des Nibelungen"  The characters in whose lives... [Examples 115-120]
 
5:27
27
An Introduction to Wagner's "The Ring of the Nibelung"  Closely associated with Gutrune's Motive... [Examples 136-140]
An Introduction to Wagner's "Der Ring des Nibelungen"  Closely associated with Gutrune's Motive... [Examples 136-140]
 
2:26
29
An Introduction to Wagner's "The Ring of the Nibelung"  Complementary to this symbol... [Examples 147-149]
An Introduction to Wagner's "Der Ring des Nibelungen"  Complementary to this symbol... [Examples 147-149]
 
2:14
31
An Introduction to Wagner's "The Ring of the Nibelung"  One further motive connected... [Examples 158-161]
An Introduction to Wagner's "Der Ring des Nibelungen"  One further motive connected... [Examples 158-161]
 
2:52
32
An Introduction to Wagner's "The Ring of the Nibelung"  There are one or two motives... [Examples 162-168]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are one or two motives... [Examples 162-168]
 
3:48
33
An Introduction to Wagner's "The Ring of the Nibelung"  These motives of Alberich and Mime... [Examples 169-171]
An Introduction to Wagner's "Der Ring des Nibelungen"  These motives of Alberich and Mime... [Examples 169-171]
 
2:7
34
An Introduction to Wagner's "The Ring of the Nibelung"  Quite a number of the subsidiary motives... [Examples 172-176]
An Introduction to Wagner's "Der Ring des Nibelungen"  Quite a number of the subsidiary motives... [Examples 172-176]
 
2:50
35
An Introduction to Wagner's "The Ring of the Nibelung"  Besides this family of motives... [Examples 177-180]
An Introduction to Wagner's "Der Ring des Nibelungen"  Besides this family of motives... [Examples 177-180]
 
2:31
37
An Introduction to Wagner's "The Ring of the Nibelung"  In the final scene of "Götterdämmerung"... [Examples 181-183]
An Introduction to Wagner's "Der Ring des Nibelungen"  In the final scene of "Götterdämmerung"... [Examples 181-183]
 
2:45
41
The Valkyrie  Act 3: Hojotoho! Hojotojo!
Die Walküre  Act 3: Hojotoho! Hojotojo!
6:51
42
The Valkyrie  Act 3: Nach dem Tann lenkt sie das taumelnde Roß
Die Walküre  Act 3: Nach dem Tann lenkt sie das taumelnde Roß
1:8
43
The Valkyrie  Act 3: Schützt mich und helft in höchster Not!
Die Walküre  Act 3: Schützt mich und helft in höchster Not!
3:30
44
The Valkyrie  Act 3: Nicht sehre dich Sorge um mich
Die Walküre  Act 3: Nicht sehre dich Sorge um mich
2:9
45
The Valkyrie  Act 3: So fliehe denn eilig
Die Walküre  Act 3: So fliehe denn eilig
3:7
46
The Valkyrie  Act 3: Steh' Brünnhild'!
Die Walküre  Act 3: Steh' Brünnhild'!
4:55
47
The Valkyrie  Act 3: Hier bin ich Vater
Die Walküre  Act 3: Hier bin ich Vater
10:40
48
The Valkyrie  Act 3: War es so schmählich was ich verbrach
Die Walküre  Act 3: War es so schmählich was ich verbrach
3:18
49
The Valkyrie  Act 3: Als Fricka den eignen Sinn dir entfremdet
Die Walküre  Act 3: Als Fricka den eignen Sinn dir entfremdet
6:27
50
The Valkyrie  Act 3: So tatest du was so gern zu tun ich begehrt
Die Walküre  Act 3: So tatest du was so gern zu tun ich begehrt
4:2
51
The Valkyrie  Act 3: Wohl taugte dir nicht die tör' ge Maid
Die Walküre  Act 3: Wohl taugte dir nicht die tör' ge Maid
4:15
52
The Valkyrie  Act 3: Und das ich ihm in Stücken schlug!
Die Walküre  Act 3: Und das ich ihm in Stücken schlug!
4:19
53
The Valkyrie  Act 3: Leb' wohl du kühnes herrliches Kind!
Die Walküre  Act 3: Leb' wohl du kühnes herrliches Kind!
4:58
54
The Valkyrie  Act 3: Der Augen leuchtendes Paar
Die Walküre  Act 3: Der Augen leuchtendes Paar
6:38
55
The Valkyrie  Act 3: Loge hör! Lausche hieher!
Die Walküre  Act 3: Loge hör! Lausche hieher!
4:44
57
Salome  Wie schön ist die Prinzessin Salome heute nacht!
Salome  Wie schön ist die Prinzessin Salome heute nacht!
4:58
58
Salome  Ich will nicht bleiben
Salome  Ich will nicht bleiben
9:22
59
Salome  Wo ist er, dessen Sündenbecher jetzt voll ist?
Salome  Wo ist er, dessen Sündenbecher jetzt voll ist?
20:50
61
Salome  Wo ist Salome? Wo ist die Prinzessin?
Salome  Wo ist Salome? Wo ist die Prinzessin?
14:28
62
Salome  Tanz für mich, Salome
Salome  Tanz für mich, Salome
4:16
63
Salome  Dance of the Seven Veils
Salome  Dance of the Seven Veils
9:10
64
Salome  Ah! Herrlich!
Salome  Ah! Herrlich!
3:40
65
Salome  Still, sprich nicht zu mir!
Salome  Still, sprich nicht zu mir!
10:23
66
Salome  Ah! Du wolltest mich nicht deinen Mund küssen lassen
Salome  Ah! Du wolltest mich nicht deinen Mund küssen lassen
11:12
67
Salome  Sie ist ein Ungeheuer, deine Tochter
Salome  Sie ist ein Ungeheuer, deine Tochter
6:50
92
Mass in B flat minor, BWV 232  Osana and Benedictus. Aria. Benedictus
Mass in B minor, BWV 232  Osana and Benedictus. Aria. Benedictus
4:59
96
Tristan and Isolde  Act 1. Orchestervorspiel
Tristan und Isolde  Act 1. Orchestervorspiel
11:7
97
Tristan and Isolde  Act 1. Westwärts schweift der Blick:
Tristan und Isolde  Act 1. Westwärts schweift der Blick:
1:8
98
Tristan and Isolde  Act 1. Wer wagt mich zu höhnen?
Tristan und Isolde  Act 1. Wer wagt mich zu höhnen?
5:35
99
Tristan and Isolde  Act 1. Mir erkoren, mir verloren,
Tristan und Isolde  Act 1. Mir erkoren, mir verloren,
3:12
100
Tristan and Isolde  Act 1. Hab acht, Tristan! Botschaft von Isolde.
Tristan und Isolde  Act 1. Hab acht, Tristan! Botschaft von Isolde.
5:35
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