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classic
Henry Purcell
ARTIST MUSICS
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Prophetess, or The History of Dioclesians  Act 5. Masque. Chorus. Behold, O mighty'st of Gods
Prophetess, or The History of Dioclesian  Act 5. Masque. Chorus. Behold, O mighty'st of Gods
3:12
3
Prophetess, or The History of Dioclesians  Act 5. Masque. Paspe (The first entry of heroes on the stage)
Prophetess, or The History of Dioclesian  Act 5. Masque. Paspe (The first entry of heroes on the stage)
44
4
Prophetess, or The History of Dioclesians  Act 5. Masque. Duet. Oh, the sweet delights of love!
Prophetess, or The History of Dioclesian  Act 5. Masque. Duet. Oh, the sweet delights of love!
2:34
12
Prophetess, or The History of Dioclesians  Act 5. Masque. Chorus. (The fourth entry) All our days
Prophetess, or The History of Dioclesian  Act 5. Masque. Chorus. (The fourth entry) All our days
1:42
15
Prophetess, or The History of Dioclesians  Act 5. Trio & Chorus. (The last entry) Triumph, triumph victorious Love
Prophetess, or The History of Dioclesian  Act 5. Trio & Chorus. (The last entry) Triumph, triumph victorious Love
4:17
16
Prophetess, or The History of Dioclesians  Appendices. Song. Since from my dear Astrea's sight
Prophetess, or The History of Dioclesian  Appendices. Song. Since from my dear Astrea's sight
4:27
20
Timon of Athens, Z. 632  Masque. But ah! how much are our delights
Timon of Athens, Z. 632  Masque. But ah! how much are our delights
1:28
21
Timon of Athens, Z. 632  Masque. Hence with your trifling deity
Timon of Athens, Z. 632  Masque. Hence with your trifling deity
1:51
22
Timon of Athens, Z. 632  Masque. But over us no griefs prevail
Timon of Athens, Z. 632  Masque. But over us no griefs prevail
33
24
Timon of Athens, Z. 632  Masque. Who can resist such mighty charms
Timon of Athens, Z. 632  Masque. Who can resist such mighty charms
1:45
44
Funeral Sentences, line 27  No. 1a, Man that is born of a woman,
Funeral Sentences, Z. 27  No. 1a, Man that is born of a woman,
2:35
92
Suites (8) for harpsichord, Z. 660-669  Suite No.3 in G major: No. 1, Prelude
Suites (8) for harpsichord, Z. 660-669  Suite No.3 in G major: No. 1, Prelude
1:8
93
Suites (8) for harpsichord, Z. 660-669  Suite No.3 in G major: No. 2, Almand
Suites (8) for harpsichord, Z. 660-669  Suite No.3 in G major: No. 2, Almand
2:50
94
Suites (8) for harpsichord, Z. 660-669  Suite No.3 in G major: No. 3, Corant
Suites (8) for harpsichord, Z. 660-669  Suite No.3 in G major: No. 3, Corant
1:43
95
Suites (8) for harpsichord, Z. 660-669  Suite No.7 in D minor: No. 1, Almand
Suites (8) for harpsichord, Z. 660-669  Suite No.7 in D minor: No. 1, Almand
5:11
96
Suites (8) for harpsichord, Z. 660-669  Suite No.7 in D minor: No. 2, Corant
Suites (8) for harpsichord, Z. 660-669  Suite No.7 in D minor: No. 2, Corant
1:17
97
Suites (8) for harpsichord, Z. 660-669  Suite No.7 in D minor: No. 3, Hornpipe
Suites (8) for harpsichord, Z. 660-669  Suite No.7 in D minor: No. 3, Hornpipe
56
98
Suites (8) for harpsichord, Z. 660-669  Suite No.2 in G minor: No. 1, Prelude
Suites (8) for harpsichord, Z. 660-669  Suite No.2 in G minor: No. 1, Prelude
1:2
99
Suites (8) for harpsichord, Z. 660-669  Suite No.2 in G minor: No. 2, Almand
Suites (8) for harpsichord, Z. 660-669  Suite No.2 in G minor: No. 2, Almand
5:12
100
Suites (8) for harpsichord, Z. 660-669  Suite No.2 in G minor: No. 3, Corant
Suites (8) for harpsichord, Z. 660-669  Suite No.2 in G minor: No. 3, Corant
1:32
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