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classic
Sherban Lupu
ARTIST MUSICS
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Fugitive Pensées (Set 2)  No. 10. Prière pendant l'orage: Allegro non troppo
Pensées Fugitives (Set 2)  No. 10. Prière pendant l'orage: Allegro non troppo
2:58
4
Fugitive Pensées (Set 2)  No. 11. Intermezzo: Allegro poco agitato
Pensées Fugitives (Set 2)  No. 11. Intermezzo: Allegro poco agitato
3:6
5
Fugitive Pensées (Set 2)  No. 12. Thème original de H. W. Ernst: Allegretto
Pensées Fugitives (Set 2)  No. 12. Thème original de H. W. Ernst: Allegretto
1:11
18
Trinity Concerto for violin & orchestra  1. Panmelodion: The Song's Long Journey up to Heaven
Trinity Concerto for violin & orchestra  1. Panmelodion: The Song's Long Journey up to Heaven
 
14:23
21
The Great Passage  1. Psalm: Lord, stop the passage
The Great Passage  1. Psalm: Lord, stop the passage
 
5:22
22
The Great Passage  2. Murmur: I know that where there's no death there's no love
The Great Passage  2. Murmur: I know that where there's no death there's no love
 
3:51
23
The Great Passage  3. Pastel: Long clouds have passed over the plains
The Great Passage  3. Pastel: Long clouds have passed over the plains
 
5:21
24
The Great Passage  4. Epilogue: I kneel in the wind / There is no road that takes you back
The Great Passage  4. Epilogue: I kneel in the wind / There is no road that takes you back
 
3:39
25
The Eternal Return  1. Icons from the Past: Unseen stairs
The Eternal Return  1. Icons from the Past: Unseen stairs
 
10:15
26
The Eternal Return  2. Curtains of Oblivion: 12 interrupted fugitive variations
The Eternal Return  2. Curtains of Oblivion: 12 interrupted fugitive variations
 
4:55
27
The Eternal Return  3. The Bells of Return: With brief evocations of Anton Pann
The Eternal Return  3. The Bells of Return: With brief evocations of Anton Pann
 
9:12
60
Grandma  Abu for Narrators and Chamber Ensemble
Abu  Abu for Narrators and Chamber Ensemble
 
6:19
61
From Camera  Da Camera for Piano Trio, Harp, Celesta, String Orchestra and Percussion
Da Camera  Da Camera for Piano Trio, Harp, Celesta, String Orchestra and Percussion
 
10:5
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