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classic
Tsippi Fleischer
Like Two Branches
WORKS MUSICS
1
Like Two Branches  Cantata for choir & chamber ensemble, Op. 24: No. 1, Introduction; Your Swiftly-Saddled Horse
Like Two Branches  Cantata for choir & chamber ensemble, Op. 24: No. 1, Introduction; Your Swiftly-Saddled Horse
 
 
7:44
2
Like Two Branches  Cantata for choir & chamber ensemble, Op. 24: No. 2, Refrain b; You Appease the Thirsty Spear
Like Two Branches  Cantata for choir & chamber ensemble, Op. 24: No. 2, Refrain b; You Appease the Thirsty Spear
 
 
8:34
3
Like Two Branches  Cantata for choir & chamber ensemble, Op. 24: No. 3, Ballet
Like Two Branches  Cantata for choir & chamber ensemble, Op. 24: No. 3, Ballet
 
 
8:19
4
Like Two Branches  Cantata for choir & chamber ensemble, Op. 24: No. 4, Refrain c; He Found Rest
Like Two Branches  Cantata for choir & chamber ensemble, Op. 24: No. 4, Refrain c; He Found Rest
 
 
5:27
5
Like Two Branches  Cantata for choir & chamber ensemble, Op. 24: No. 5, Every Morning at Sunrise
Like Two Branches  Cantata for choir & chamber ensemble, Op. 24: No. 5, Every Morning at Sunrise
 
 
2:57
6
Like Two Branches  Cantata for choir & chamber ensemble, Op. 24: No. 6, Refrain d; I Shall Weep for you
Like Two Branches  Cantata for choir & chamber ensemble, Op. 24: No. 6, Refrain d; I Shall Weep for you
 
 
5:55
7
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 1, First methodological unit: Solo
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 1, First methodological unit: Solo
 
 
36
8
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 2, Second methodological unit: Special unison
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 2, Second methodological unit: Special unison
 
 
20
9
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 3, Third methodological unit: Doublings I: The opening motif: kanun with two oboes
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 3, Third methodological unit: Doublings I: The opening motif: kanun with two oboes
 
 
46
10
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 4, Third methodological unit: Doublings I: Return of the opening motif, with richer ensemble, including choir
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 4, Third methodological unit: Doublings I: Return of the opening motif, with richer ensemble, including choir
 
 
1:34
11
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 5, Third methodological unit: Doublings I: Opening motif – kanun ‘ripped’ from ensemble performance
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 5, Third methodological unit: Doublings I: Opening motif – kanun ‘ripped’ from ensemble performance
 
 
14
12
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 6, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling male and female voices in octaves
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 6, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling male and female voices in octaves
 
 
1:13
13
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 7, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling female voices in thirds
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 7, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling female voices in thirds
 
 
35
14
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 8, 1.Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble a
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 8, 1.Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble a
 
 
56
15
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble b
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble b
 
 
1:10
16
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 10, Sixth methodological unit: The kanun is prominent in the texture, virtuosic
Like Two Branches  Selected Passages performed with Kanun, Op. 24: No. 10, Sixth methodological unit: The kanun is prominent in the texture, virtuosic
 
 
40
17
 
1:59
18
Like Two Branches  Introduction - (a) Like Two Branches - Your Swiftly Saddled Horse
Like Two Branches  Introduction - (a) Like Two Branches - Your Swiftly Saddled Horse
 
8:7
19
Like Two Branches  (b) Like Two Branches - You Appease the Thirsty Spear
Like Two Branches  (b) Like Two Branches - You Appease the Thirsty Spear
 
9:8
20
 
9:11
21
Like Two Branches  (c) Like Two Branches - In The Shade of a Tree
Like Two Branches  (c) Like Two Branches - In The Shade of a Tree
 
6:40
22
Like Two Branches  Every Morning at Sunrise
Like Two Branches  Every Morning at Sunrise
 
2:38
23
Like Two Branches  (d) Like Two Branches - I Shall Weep for You
Like Two Branches  (d) Like Two Branches - I Shall Weep for You
 
5:18
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