Cantata for choir & chamber ensemble, Op. 24: No. 4, Refrain c; He Found Rest
5:27
9
Cantata for choir & chamber ensemble, Op. 24: No. 5, Every Morning at Sunrise
2:57
10
Cantata for choir & chamber ensemble, Op. 24: No. 6, Refrain d; I Shall Weep for you
5:55
11
Selected Passages performed with Kanun, Op. 24: No. 1, First methodological unit: Solo
36
12
Selected Passages performed with Kanun, Op. 24: No. 2, Second methodological unit: Special unison
20
13
Selected Passages performed with Kanun, Op. 24: No. 3, Third methodological unit: Doublings I: The opening motif: kanun with two oboes
46
14
Selected Passages performed with Kanun, Op. 24: No. 4, Third methodological unit: Doublings I: Return of the opening motif, with richer ensemble, including choir
1:34
15
Selected Passages performed with Kanun, Op. 24: No. 5, Third methodological unit: Doublings I: Opening motif – kanun ‘ripped’ from ensemble performance
14
16
Selected Passages performed with Kanun, Op. 24: No. 6, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling male and female voices in octaves
1:13
17
Selected Passages performed with Kanun, Op. 24: No. 7, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling female voices in thirds
35
18
Selected Passages performed with Kanun, Op. 24: No. 8, 1.Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble a
56
19
Selected Passages performed with Kanun, Op. 24: No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble b
1:10
20
Selected Passages performed with Kanun, Op. 24: No. 10, Sixth methodological unit: The kanun is prominent in the texture, virtuosic