Jeremy Siepmann
Discussion/Introduction to Beethoven's "Pastoral Symphony"
WORKS MUSICS
1
Discussion/Introduction to Beethoven's "Pastoral Symphony"
On Beethoven's Openings
Discussion/Introduction to Beethoven's "Pastoral Symphony"
On Beethoven's Openings
1:26
2
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Opening phrase of the 'Pastoral': Mood, Symbolism and Musical Function
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Opening phrase of the 'Pastoral': Mood, Symbolism and Musical Function
1:44
3
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Musical Acorns: the outline of melody; the shape of a question
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Musical Acorns: the outline of melody; the shape of a question
42
4
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The 'question' in the 'Pastoral' repeated...
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The 'question' in the 'Pastoral' repeated...
4
5
Discussion/Introduction to Beethoven's "Pastoral Symphony"
...and answered
Discussion/Introduction to Beethoven's "Pastoral Symphony"
...and answered
12
6
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The opening phrase ends on a note full of pregnant expectation
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The opening phrase ends on a note full of pregnant expectation
19
7
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Starting with a stop
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Starting with a stop
36
8
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The rhythmic profile of the opening phrase; a two-part construction
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The rhythmic profile of the opening phrase; a two-part construction
52
9
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Phrase One, Part One
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Phrase One, Part One
9
10
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Phrase One, Part Two
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Phrase One, Part Two
6
11
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The properties of rhythmic ambiguity; the 'question' of Phrase One answered
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The properties of rhythmic ambiguity; the 'question' of Phrase One answered
1:3
12
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Phrase Two: from meander to march
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Phrase Two: from meander to march
27
13
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The makings of a conversation: contrast and variation
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The makings of a conversation: contrast and variation
47
14
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Repetition as a major factor, but it's never mere repitition; each time something new is added
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Repetition as a major factor, but it's never mere repitition; each time something new is added
33
15
Discussion/Introduction to Beethoven's "Pastoral Symphony"
From soft to loud and back again; instrumental enrichment from horns and double-basses
Discussion/Introduction to Beethoven's "Pastoral Symphony"
From soft to loud and back again; instrumental enrichment from horns and double-basses
18
16
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Mega-repetition: violins play exactly the same little fragment ten times in a row
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Mega-repetition: violins play exactly the same little fragment ten times in a row
29
17
Discussion/Introduction to Beethoven's "Pastoral Symphony"
But no two repetitions are quite the same; varieties of contrast
Discussion/Introduction to Beethoven's "Pastoral Symphony"
But no two repetitions are quite the same; varieties of contrast
34
18
Discussion/Introduction to Beethoven's "Pastoral Symphony"
More variation: pitch rises; violins joined first by the clarinet, then by the oboe
Discussion/Introduction to Beethoven's "Pastoral Symphony"
More variation: pitch rises; violins joined first by the clarinet, then by the oboe
18
19
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Return to the opening idea, but with new instrumentation and articulation
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Return to the opening idea, but with new instrumentation and articulation
25
20
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Clarinets, horns, bassoons and flutes now join expansive variation
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Clarinets, horns, bassoons and flutes now join expansive variation
49
21
Discussion/Introduction to Beethoven's "Pastoral Symphony"
New' insistent rhythm derived from the first four notes of the piece
Discussion/Introduction to Beethoven's "Pastoral Symphony"
New' insistent rhythm derived from the first four notes of the piece
9
22
Discussion/Introduction to Beethoven's "Pastoral Symphony"
With the dawn chorus, a whole forest is waking up; feelings of rapture
Discussion/Introduction to Beethoven's "Pastoral Symphony"
With the dawn chorus, a whole forest is waking up; feelings of rapture
36
23
Discussion/Introduction to Beethoven's "Pastoral Symphony"
First violins play a derivative of the opening figure, joined by wind and strings
Discussion/Introduction to Beethoven's "Pastoral Symphony"
First violins play a derivative of the opening figure, joined by wind and strings
32
24
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Sudden change of key, from the home key (tonic) to the dominant
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Sudden change of key, from the home key (tonic) to the dominant
30
25
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Arrival at the highly contrasting second main theme
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Arrival at the highly contrasting second main theme
55
26
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Unusual properties of second main theme
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Unusual properties of second main theme
2:15
27
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Rhythmic clash between simultaneous groups of three beats and groups of two
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Rhythmic clash between simultaneous groups of three beats and groups of two
1:9
28
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Winds fall silent as the violins and violas interrupt with a new theme
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Winds fall silent as the violins and violas interrupt with a new theme
30
29
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Winds answer with the same morse-like rhythm but at half the speed
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Winds answer with the same morse-like rhythm but at half the speed
51
30
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Crescendo leads to strings' acceleration of the pace with no increase in tempo
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Crescendo leads to strings' acceleration of the pace with no increase in tempo
1:5
31
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Beginning of coda, directly based on morse-like rhythm of the main theme
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Beginning of coda, directly based on morse-like rhythm of the main theme
22
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Discussion/Introduction to Beethoven's "Pastoral Symphony"
Strings reiterate small fragment of the new theme 13 times in a row
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Strings reiterate small fragment of the new theme 13 times in a row
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33
Discussion/Introduction to Beethoven's "Pastoral Symphony"
A simple, rising violin phrase leads to a repeat of the Exposition
Discussion/Introduction to Beethoven's "Pastoral Symphony"
A simple, rising violin phrase leads to a repeat of the Exposition
18
34
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The nature and function of the Development section in sonata form: 'harmonic' rhythm explained
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The nature and function of the Development section in sonata form: 'harmonic' rhythm explained
2:22
35
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The nature of harmonic rhythm illustrated
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The nature of harmonic rhythm illustrated
35
36
Discussion/Introduction to Beethoven's "Pastoral Symphony"
A typically Beethovenian exercise in the frustration of experience
Discussion/Introduction to Beethoven's "Pastoral Symphony"
A typically Beethovenian exercise in the frustration of experience
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37
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Repetitiousness and magic effected largely through instrumental colour
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Repetitiousness and magic effected largely through instrumental colour
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38
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Then come four, almost identical bars
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Then come four, almost identical bars
7
39
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Even greater magic, with sudden switch of key and tone colour
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Even greater magic, with sudden switch of key and tone colour
28
40
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Entire Development section up to this point
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Entire Development section up to this point
1:55
41
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The Development continued
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The Development continued
1:23
42
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Increased unease and suspense as harmonic rhythm accelerates
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Increased unease and suspense as harmonic rhythm accelerates
2:3
43
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Arrival at the point of Recapitulation; back to the beginning, as a reminder
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Arrival at the point of Recapitulation; back to the beginning, as a reminder
1:50
44
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Beginning of Recapitulation
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Beginning of Recapitulation
50
45
Discussion/Introduction to Beethoven's "Pastoral Symphony"
More Beethovenian frustrations of expectations which he himself has just set up
Discussion/Introduction to Beethoven's "Pastoral Symphony"
More Beethovenian frustrations of expectations which he himself has just set up
1:1
46
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Harmonic rhythm speeds up, giving the impression of an accent on every beat
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Harmonic rhythm speeds up, giving the impression of an accent on every beat
34
47
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Prevailing mood restored; new theme from clarinets and bassoons
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Prevailing mood restored; new theme from clarinets and bassoons
28
48
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Violins and violas take up theme; horns, cellos, double-basses accompany
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Violins and violas take up theme; horns, cellos, double-basses accompany
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Discussion/Introduction to Beethoven's "Pastoral Symphony"
A hush falls, followed by a return of the movement's most familiar tag in strings
Discussion/Introduction to Beethoven's "Pastoral Symphony"
A hush falls, followed by a return of the movement's most familiar tag in strings
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50
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Clarinet takes up the running triplet figures of the main closing theme
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Clarinet takes up the running triplet figures of the main closing theme
32
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Discussion/Introduction to Beethoven's "Pastoral Symphony"
First violins take up the opening phrase again, accompanied by double-basses
Discussion/Introduction to Beethoven's "Pastoral Symphony"
First violins take up the opening phrase again, accompanied by double-basses
37
52
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Beethoven slips in one last surprise; cue to complete movement
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Beethoven slips in one last surprise; cue to complete movement
59
53
Discussion/Introduction to Beethoven's "Pastoral Symphony"
First Movement (complete)
Discussion/Introduction to Beethoven's "Pastoral Symphony"
First Movement (complete)
11:1
54
Discussion/Introduction to Beethoven's "Pastoral Symphony"
General introduction; the birth of a melody
Discussion/Introduction to Beethoven's "Pastoral Symphony"
General introduction; the birth of a melody
1:59
55
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Brook music quickens; syncopated horns; theme changes hands; evocation of birdsong
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Brook music quickens; syncopated horns; theme changes hands; evocation of birdsong
1:19
56
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The 'motto' theme introduced by violins and treated to round-like overlappings
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The 'motto' theme introduced by violins and treated to round-like overlappings
52
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Discussion/Introduction to Beethoven's "Pastoral Symphony"
Transitional 'bridge' theme sets off for new key group. But is it? And does it?
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Transitional 'bridge' theme sets off for new key group. But is it? And does it?
39
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Discussion/Introduction to Beethoven's "Pastoral Symphony"
Will he, or won't he? Beethoven keeps us guessing
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Will he, or won't he? Beethoven keeps us guessing
1:9
59
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The run-up to the Second Group
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The run-up to the Second Group
1:14
60
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Arrival at the Second Group; but where is the actual Second Subject?
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Arrival at the Second Group; but where is the actual Second Subject?
39
61
Discussion/Introduction to Beethoven's "Pastoral Symphony"
A new tune is introduced by the bassoon
Discussion/Introduction to Beethoven's "Pastoral Symphony"
A new tune is introduced by the bassoon
38
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Discussion/Introduction to Beethoven's "Pastoral Symphony"
Tune is repeated three times
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Tune is repeated three times
1:
63
Discussion/Introduction to Beethoven's "Pastoral Symphony"
...which the full orchestra now takes up in varied form
Discussion/Introduction to Beethoven's "Pastoral Symphony"
...which the full orchestra now takes up in varied form
45
64
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Theme carried by flutes and first violins in a charmingly waltz-like development
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Theme carried by flutes and first violins in a charmingly waltz-like development
48
65
Discussion/Introduction to Beethoven's "Pastoral Symphony"
A reminder of the precedent
Discussion/Introduction to Beethoven's "Pastoral Symphony"
A reminder of the precedent
14
66
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Back to the prevailing triple-metre with violins, bassoons and flutes
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Back to the prevailing triple-metre with violins, bassoons and flutes
16
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Discussion/Introduction to Beethoven's "Pastoral Symphony"
Another reminder of precedent...
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Another reminder of precedent...
16
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Discussion/Introduction to Beethoven's "Pastoral Symphony"
...and a cue to some unexpected departures
Discussion/Introduction to Beethoven's "Pastoral Symphony"
...and a cue to some unexpected departures
37
69
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The transformational magic of Beethoven's 'tone-painting' - and a new variation
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The transformational magic of Beethoven's 'tone-painting' - and a new variation
50
70
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Conversation of clarinet, flute and oboe on the way to the Development
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Conversation of clarinet, flute and oboe on the way to the Development
43
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Discussion/Introduction to Beethoven's "Pastoral Symphony"
Harmonic movement emphasised by violins; oboe takes up the First Subject
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Harmonic movement emphasised by violins; oboe takes up the First Subject
38
72
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Flute and oboe discuss the First Subject, before arriving together at the Transition
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Flute and oboe discuss the First Subject, before arriving together at the Transition
1:4
73
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Gains in volume and intensity lead to a new key-change
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Gains in volume and intensity lead to a new key-change
47
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Discussion/Introduction to Beethoven's "Pastoral Symphony"
More thematic transformation through the agency of tone-colour
Discussion/Introduction to Beethoven's "Pastoral Symphony"
More thematic transformation through the agency of tone-colour
1:11
75
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Harmonic fluidity - instability - as the central engine of the Development section
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Harmonic fluidity - instability - as the central engine of the Development section
1:40
76
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Harmonic instability, thematic dissolution increase, then lessen with approach of Recapitulation
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Harmonic instability, thematic dissolution increase, then lessen with approach of Recapitulation
1:41
77
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Recap. and transformation: key and material are right, but what a change of presentation!
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Recap. and transformation: key and material are right, but what a change of presentation!
1:29
78
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Just when we know that's coming, Beethoven changes the rules (or at least the harmony)
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Just when we know that's coming, Beethoven changes the rules (or at least the harmony)
53
79
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Transformation by reorchestration; switch to long sustained chords; then everything stops
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Transformation by reorchestration; switch to long sustained chords; then everything stops
1:20
80
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The silence is broken by voices of nightingale (flute), quail (oboe) and cuckoo (clarinet)
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The silence is broken by voices of nightingale (flute), quail (oboe) and cuckoo (clarinet)
40
81
Discussion/Introduction to Beethoven's "Pastoral Symphony"
First violins bring back the motto theme
Discussion/Introduction to Beethoven's "Pastoral Symphony"
First violins bring back the motto theme
12
82
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Cue to complete movement on CD 2
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Cue to complete movement on CD 2
32
83
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Second Movement (complete)
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Second Movement (complete)
12:3
84
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Beethoven and the Scherzo: and introduction; Part One of opening phrase taken by the strings
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Beethoven and the Scherzo: and introduction; Part One of opening phrase taken by the strings
1:31
85
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Immediate response; Part One is answered by a much more singing, continuous legato
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Immediate response; Part One is answered by a much more singing, continuous legato
23
86
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Entire orchestra gives out opening theme, this time fortissimo and with powerful accents
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Entire orchestra gives out opening theme, this time fortissimo and with powerful accents
1:6
87
Discussion/Introduction to Beethoven's "Pastoral Symphony"
A musical ball game. The contrast of this and the first two movements could hardly be greater
Discussion/Introduction to Beethoven's "Pastoral Symphony"
A musical ball game. The contrast of this and the first two movements could hardly be greater
32
88
Discussion/Introduction to Beethoven's "Pastoral Symphony"
After quietly teasing suspense, Beethoven mocks village band, first the oboe, then the bassoon
Discussion/Introduction to Beethoven's "Pastoral Symphony"
After quietly teasing suspense, Beethoven mocks village band, first the oboe, then the bassoon
1:18
89
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Clarinet joins in, then horns take the tune - the dance no longer boisterous but lyrical
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Clarinet joins in, then horns take the tune - the dance no longer boisterous but lyrical
48
90
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Strings sweep the village musicians aside and hurtle us into the new, boisterous 'Trio' section
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Strings sweep the village musicians aside and hurtle us into the new, boisterous 'Trio' section
46
91
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The air is alive with the sound of (mock) bagpipes, tambourines and fifes
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The air is alive with the sound of (mock) bagpipes, tambourines and fifes
1:
92
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Coda; begins as the movement itself begins, but soon diverges in harmony and instrumentation
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Coda; begins as the movement itself begins, but soon diverges in harmony and instrumentation
1:18
93
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Original layout compressed; order of events is changed and Beethoven springs a big surprise
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Original layout compressed; order of events is changed and Beethoven springs a big surprise
42
94
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Third movement (complete)
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Third movement (complete)
5:14
95
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Unparalleled portrait of nature's power over humanity, with some stupendous orchestration
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Unparalleled portrait of nature's power over humanity, with some stupendous orchestration
3:5
96
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Self-generating form and terror of total unpredictability; 'anxiety motif' from the violins
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Self-generating form and terror of total unpredictability; 'anxiety motif' from the violins
1:34
97
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The 'lashing rain' motif - downward-driving arpeggios from the first violins and violas
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The 'lashing rain' motif - downward-driving arpeggios from the first violins and violas
36
98
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The 'lightning' motif, and its recurrence later in the movement
Discussion/Introduction to Beethoven's "Pastoral Symphony"
The 'lightning' motif, and its recurrence later in the movement
21
99
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Rain' motif, derived from descending scale pattern from the violins at the outset
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Rain' motif, derived from descending scale pattern from the violins at the outset
13
100
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Shivering tremolandos from the strings and increasingly eerie harmonies from the wind
Discussion/Introduction to Beethoven's "Pastoral Symphony"
Shivering tremolandos from the strings and increasingly eerie harmonies from the wind
18