Composer

:

Ralph Vaughan Williams

Genre

:

Choral

Style

:

Hymn

Compose Date

:

1931

Publication Date

:

1931

Average_duration

:

2:05

"Fierce Raged the Tempest White Gates" is a choral work composed by Ralph Vaughan Williams in 1957. It was premiered on October 16, 1957, at the Royal Albert Hall in London, conducted by the composer himself. The piece is part of a larger work called "Dona Nobis Pacem," which was written in response to the growing tensions leading up to World War II. The piece is divided into three movements, each with its own distinct character. The first movement, "Agnus Dei," is a solemn and mournful prayer for peace. The second movement, "Beat! Beat! Drums!," is a more energetic and rhythmic piece, with the choir and orchestra evoking the sounds of war. The final movement, "Reconciliation," is a hopeful and optimistic call for peace and unity. The text for "Fierce Raged the Tempest White Gates" is taken from the poem "The Prelude" by William Wordsworth. The poem describes a storm on Lake Windermere, with the tempest symbolizing the turmoil and violence of the world. Vaughan Williams uses the text to create a powerful and dramatic work, with the choir and orchestra working together to create a sense of chaos and conflict. One of the most striking features of the piece is the use of dissonance and unconventional harmonies. Vaughan Williams was known for his interest in folk music and modal harmonies, and these influences can be heard in "Fierce Raged the Tempest White Gates." The piece also features a wide range of dynamics, from the quiet and contemplative opening to the thunderous climax of the second movement. Overall, "Fierce Raged the Tempest White Gates" is a powerful and moving work that reflects Vaughan Williams' deep concern for the state of the world. Its message of peace and reconciliation is as relevant today as it was when it was first composed.

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