Composer

:

Horacio Salgán

Genre

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Keyboard

Average_duration

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2:08

"La llamo silbando" is a tango composed by Horacio Salgán, one of the most important Argentine musicians of the 20th century. The piece was composed in 1952 and premiered the same year in Buenos Aires, Argentina. The tango is divided into three movements, each with its own distinct characteristics. The first movement is slow and melancholic, with a haunting melody that is played by the bandoneón, a traditional Argentine instrument. The second movement is faster and more rhythmic, with a lively beat that is driven by the piano and the percussion instruments. The third movement is a return to the slow and melancholic mood of the first movement, with a reprise of the haunting melody played by the bandoneón. The piece is characterized by its complex harmonies and intricate rhythms, which are typical of Salgán's style. The composer was known for his innovative approach to tango music, which incorporated elements of jazz and classical music. "La llamo silbando" is a prime example of this style, with its sophisticated harmonies and intricate rhythms. The title of the piece, "La llamo silbando," translates to "I call her while whistling." The lyrics, which were written by Enrique Cadícamo, tell the story of a man who is trying to forget a lost love by whistling a tune. The melancholic melody of the tango perfectly captures the mood of the lyrics, creating a haunting and evocative piece of music. Overall, "La llamo silbando" is a masterpiece of Argentine tango music, showcasing the innovative style and sophisticated harmonies of Horacio Salgán. The piece has become a classic of the tango repertoire and is still performed and enjoyed by audiences around the world today.

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