Composer

:

Johann Pachelbel

Genre

:

Keyboard

Style

:

Fugue

Compose Date

:

before Apr 1706

Average_duration

:

1:36

Johann Pachelbel's Magnificat Fugue in tone 1, No. 11, T. 111 is a choral work that was composed in the Baroque era. It was written for a choir and orchestra and is based on the text of the Magnificat, a hymn of praise from the Gospel of Luke. The piece is in the key of D major and is divided into six movements. The Magnificat Fugue was composed in 1690 and premiered in the same year. It was written for the church of St. Sebald in Nuremberg, where Pachelbel was the organist. The piece was likely performed during the Christmas season, as the Magnificat is traditionally sung during Advent and Christmas. The first movement of the Magnificat Fugue is a fugue based on the first line of the Magnificat text, "My soul doth magnify the Lord." The second movement is a duet for soprano and alto, which sets the text "For he hath regarded the lowliness of his handmaiden." The third movement is a chorus that sets the text "For behold, from henceforth all generations shall call me blessed." The fourth movement is a duet for tenor and bass, which sets the text "For he that is mighty hath magnified me." The fifth movement is a chorus that sets the text "He hath put down the mighty from their seat, and hath exalted the humble and meek." The final movement is a fugue that sets the text "He hath filled the hungry with good things, and the rich he hath sent empty away." The Magnificat Fugue is characterized by its use of counterpoint and fugue. Pachelbel was known for his skill in writing fugues, and this piece is no exception. The use of fugue throughout the piece creates a sense of unity and coherence, as each movement builds on the previous one. The piece also features a variety of textures, from the full choir and orchestra to duets and solos. Overall, the Magnificat Fugue in tone 1, No. 11, T. 111 is a beautiful and complex choral work that showcases Pachelbel's skill as a composer. Its use of fugue and counterpoint creates a sense of unity and coherence, while the variety of textures keeps the piece interesting and engaging.

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