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Robert Schumann
An die Königen Elisabeth, Op. 135/3
Works Info
Composer
:
Robert Schumann
Genre
:
Vocal
Style
:
Song
Compose Date
:
1852
Average_duration
:
1:31
"An die Königen Elisabeth, Op. 135/3" is a vocal composition by Robert Schumann, composed in 1853. The piece was premiered on December 2, 1853, in Leipzig, Germany. It is part of a collection of six songs, collectively known as "Sechs Gedichte und Requiem, Op. 90," which were written in memory of Schumann's friend, Felix Mendelssohn. The composition is written for a solo voice and piano accompaniment. It is a setting of a poem by Friedrich Rückert, which pays tribute to Queen Elizabeth of Hungary, who was known for her charitable works and devotion to the poor. The poem praises the queen's selflessness and generosity, and Schumann's music captures the poem's emotional depth and sincerity. The piece is divided into three movements, each with its own distinct character. The first movement is marked "Andante con moto," and it begins with a gentle, flowing melody in the piano. The vocal line enters with a simple, yet expressive melody, which gradually builds in intensity as the queen's virtues are extolled. The movement ends with a return to the peaceful opening theme. The second movement is marked "Allegro," and it is more lively and energetic than the first. The piano accompaniment is more complex, with rapid arpeggios and syncopated rhythms. The vocal line is also more virtuosic, with wide leaps and intricate melodic lines. The movement ends with a triumphant flourish, as the queen's good deeds are celebrated. The final movement is marked "Andante," and it is the most introspective and contemplative of the three. The piano accompaniment is sparse and delicate, with gentle arpeggios and soft chords. The vocal line is also subdued, with a simple, yet poignant melody. The movement ends with a quiet, peaceful resolution, as the queen's legacy is remembered. Overall, "An die Königen Elisabeth, Op. 135/3" is a beautiful and heartfelt tribute to a remarkable woman. Schumann's music captures the poem's emotional depth and sincerity, and the three movements offer a range of moods and textures that showcase the composer's skill and sensitivity.
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