Composer

:

Francisco López Capillas

Genre

:

Choral

Style

:

Choral

Average_duration

:

3:34

In Horrore is a choral work composed by Francisco López Capillas, a Mexican composer of the Baroque era. The piece was composed in the late 17th century and premiered in Mexico City in 1680. It is a sacred work, written for four voices (soprano, alto, tenor, and bass) and is divided into three movements. The first movement, titled "In Horrore," is a setting of Psalm 55. It begins with a slow, mournful introduction in which the choir sings the words "In horrore" (in horror) repeatedly. The mood is somber and reflective, with the voices weaving in and out of each other in a complex polyphonic texture. As the piece progresses, the tempo gradually increases, and the choir becomes more animated, reflecting the text's themes of fear and anxiety. The second movement, "Miserere," is a setting of Psalm 50. It is a more straightforward piece than the first movement, with a simple melody and a homophonic texture. The choir sings the words "Miserere mei, Deus" (Have mercy on me, O God) repeatedly, with each repetition becoming more urgent and pleading. The piece ends with a final plea for mercy, sung in unison by the entire choir. The final movement, "Gloria Patri," is a setting of the doxology, a hymn of praise to the Holy Trinity. It is a joyful and exuberant piece, with a lively tempo and a complex polyphonic texture. The choir sings the words "Gloria Patri et Filio et Spiritui Sancto" (Glory be to the Father, and to the Son, and to the Holy Spirit) repeatedly, with each repetition becoming more exultant and triumphant. The piece ends with a final burst of energy, as the choir sings the words "Sicut erat in principio, et nunc, et semper, et in saecula saeculorum" (As it was in the beginning, is now, and ever shall be, world without end) in a grand, celebratory finale. Overall, In Horrore is a powerful and moving work, reflecting the religious fervor and emotional intensity of the Baroque era. Its complex polyphonic textures, somber melodies, and exultant finales make it a masterpiece of sacred choral music.

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