Composer

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Charles Tournemire

Genre

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Keyboard

Style

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Keyboard

Average_duration

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23:18

In Assumptione Beata Maria Virgine, Op. 57/10 is a composition by French composer Charles Tournemire. It was composed in 1930 and premiered on August 15th of the same year, which is the Feast of the Assumption of Mary. The piece is part of Tournemire's L'Orgue Mystique, a collection of 51 pieces for organ that are intended to be played during the liturgical year. In Assumptione Beata Maria Virgine is divided into three movements. The first movement, "Introit," is a slow and solemn piece that sets the tone for the rest of the composition. The second movement, "Offertoire," is more lively and features a melody that is reminiscent of a folk song. The final movement, "Communion," is a peaceful and contemplative piece that brings the composition to a close. One of the characteristics of In Assumptione Beata Maria Virgine is its use of Gregorian chant. Tournemire was known for his interest in Gregorian chant and often incorporated it into his compositions. In this piece, he uses the chant melody for the "Introit" and "Communion" movements. The use of chant gives the piece a sense of timelessness and connects it to the long history of the Catholic Church. Another characteristic of the piece is its use of harmony. Tournemire was known for his use of complex harmonies and chromaticism, and In Assumptione Beata Maria Virgine is no exception. The harmonies are often dissonant, but they are used in a way that creates a sense of tension and release. This adds to the emotional impact of the piece and helps to convey the sense of awe and wonder that is associated with the Assumption of Mary. Overall, In Assumptione Beata Maria Virgine is a powerful and moving composition that showcases Tournemire's skill as a composer. Its use of Gregorian chant and complex harmonies make it a unique and memorable piece that is well-suited for use in the liturgy.

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