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Ferruccio Busoni
Klavierstück,, KiV B97
Works Info
Composer
:
Ferruccio Busoni
Genre
:
Keyboard
Style
:
Keyboard
Compose Date
:
1910
Publication Date
:
1910
Average_duration
:
9:20
Ferruccio Busoni's 'Klavierstück, KiV B97' is a solo piano piece that was composed in 1916. The piece was premiered by Busoni himself in Zurich, Switzerland, on January 27, 1917. The composition is divided into three movements, each with its own distinct characteristics. The first movement, marked "Andantino con moto," is characterized by its lyrical and expressive melodies. The piece begins with a simple, yet haunting melody that is repeated throughout the movement. The melody is then developed and expanded upon, with the use of chromaticism and unexpected harmonies. The movement ends with a return to the original melody, but with a more complex and intricate accompaniment. The second movement, marked "Allegro moderato," is a lively and energetic scherzo. The movement is characterized by its use of syncopation and rapid arpeggios. The middle section of the movement features a slower, more lyrical melody, which is then developed and transformed into a virtuosic display of technical skill. The movement ends with a return to the opening material, but with a more frenzied and intense character. The final movement, marked "Andante con moto," is a contemplative and introspective piece. The movement begins with a simple, yet poignant melody, which is then developed and expanded upon. The middle section of the movement features a more complex and dissonant harmonic language, which creates a sense of tension and unease. The movement ends with a return to the opening material, but with a more subdued and introspective character. Overall, 'Klavierstück, KiV B97' is a complex and challenging piece that showcases Busoni's mastery of the piano. The piece is characterized by its use of chromaticism, unexpected harmonies, and virtuosic technical displays. The three movements each have their own distinct character, but are united by a sense of introspection and contemplation.
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