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Charles Tournemire
Immaculata Conceptio Beata Maria Virgine, Op. 55/2
Released Album
 
Works Info
Composer
:
Charles Tournemire
Genre
:
Keyboard
Style
:
Keyboard
Average_duration
:
24:28
Movement_count
:
5
Movement ....
Immaculata Conceptio Beata Maria Virgine, Op. 55/2 is a sacred work composed by Charles Tournemire. It was composed in 1930 and premiered on December 8th of the same year, which is the feast day of the Immaculate Conception. The piece is divided into three movements, each of which is characterized by its own unique musical style and mood. The first movement, titled "Ave Maria," is a solemn and reverent setting of the traditional prayer to the Virgin Mary. It begins with a simple, chant-like melody in the lower voices, which is then taken up by the upper voices in a more elaborate and ornate fashion. The music builds in intensity as the choir sings of Mary's purity and grace, culminating in a powerful climax that expresses the awe and wonder of the Immaculate Conception. The second movement, "Salve Regina," is a more joyful and celebratory piece that reflects the exultant nature of the feast day. It begins with a lively and rhythmic melody in the upper voices, which is then joined by the lower voices in a rich and harmonious counterpoint. The music is full of energy and vitality, conveying the sense of joy and gratitude that is associated with the Immaculate Conception. The final movement, "Magnificat," is a grand and majestic setting of the canticle of Mary. It begins with a fanfare-like introduction that sets the tone for the rest of the piece. The music is characterized by its rich harmonies, soaring melodies, and dramatic contrasts between the different sections of the choir. The final section of the piece is particularly powerful, as the choir sings of Mary's role as the mother of God and the source of all grace and salvation. Overall, Immaculata Conceptio Beata Maria Virgine, Op. 55/2 is a masterful work that showcases Tournemire's skill as a composer and his deep devotion to the Virgin Mary. Its three movements are each unique and expressive, capturing the different moods and emotions associated with the Immaculate Conception. It remains a beloved piece of sacred music to this day, and is frequently performed in churches and concert halls around the world.
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