Baldassare Galuppi
Keyboard Sonata in E flat major [Illy No. 17]
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Composer:Baldassare GaluppiGenre:KeyboardStyle:KeyboardAverage_duration:8:35Movement_count:3Movement ....Baldassare Galuppi, also known as Il Buranello, was an Italian composer of the Baroque era. He was born in 1706 in the Venetian Republic and died in 1785 in St. Petersburg, Russia. Galuppi was a prolific composer, having written over 100 operas, as well as numerous instrumental works, including sonatas for keyboard. One of his most famous keyboard sonatas is the Keyboard Sonata in E flat major, also known as Illy No. 17. This sonata was composed in the mid-18th century and is believed to have been written for harpsichord or clavichord. It is a three-movement work that showcases Galuppi's skill as a composer and his ability to write music that is both technically challenging and musically engaging. The Keyboard Sonata in E flat major is believed to have premiered in Venice, Italy, although the exact date of its premiere is unknown. The sonata was likely performed in private salons or at public concerts, where it would have been heard by a variety of audiences, including aristocrats, musicians, and music lovers. The first movement of the sonata is marked Allegro and is in sonata form. It begins with a lively and energetic theme that is developed throughout the movement. The second movement is marked Andante and is in ternary form. It is a lyrical and expressive movement that showcases Galuppi's ability to write beautiful melodies. The final movement is marked Allegro and is in rondo form. It is a lively and playful movement that features a recurring theme that is interspersed with contrasting sections. Overall, the Keyboard Sonata in E flat major is a beautiful and engaging work that showcases Galuppi's skill as a composer. It is a testament to his ability to write music that is both technically challenging and musically satisfying. The sonata remains a popular work among keyboard players and is frequently performed in concerts and recitals.More....
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