Composer

:

Ludwig van Beethoven

Genre

:

Vocal

Style

:

Song: Art Song

Compose Date

:

1803

Average_duration

:

1:14

"Marmotte, Op. 52/7" is a piano piece composed by Ludwig van Beethoven. It was composed in 1804 and premiered in the same year. The piece is part of a set of six variations for piano, which are collectively known as "Six Variations on 'Nel cor più non mi sento'". The variations are based on a theme from Giovanni Paisiello's opera "La Molinara". The title "Marmotte" is derived from the French word for marmot, a type of ground squirrel found in the Alps. The piece is so named because the opening melody is said to resemble the sound of a marmot's call. The piece is in the key of G major and is written in 3/4 time. It consists of a theme and six variations. The theme is a simple melody that is repeated several times throughout the piece. The variations are characterized by their use of different rhythms, harmonies, and textures. The first variation features a more complex accompaniment and a more ornamented melody. The second variation is in the key of E minor and features a more melancholy mood. The third variation is in the key of C major and features a more playful and lighthearted mood. The fourth variation is in the key of G minor and features a more dramatic and intense mood. The fifth variation is in the key of D major and features a more virtuosic and showy style. The final variation returns to the original key of G major and features a more elaborate and grandiose style. Overall, "Marmotte, Op. 52/7" is a charming and delightful piece that showcases Beethoven's skill as a composer and pianist. Its playful and lighthearted mood makes it a popular choice for recitals and concerts.

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