Composer

:

Franz Liszt

Genre

:

Keyboard

Style

:

Fantasy

Compose Date

:

1849

Publication Date

:

1858

Average_duration

:

16:54

"Aprés une lecture du Dante II S. 161/7" is a piano piece composed by Franz Liszt in 1849-1856. It is the second of two pieces inspired by Dante's "Divine Comedy," the first being "Fantasia quasi Sonata" S. 161/6. The piece premiered in Weimar, Germany, in 1856. The piece is divided into two movements, with the first being a slow and somber introduction that sets the mood for the piece. The second movement is a fast and intense depiction of Dante's journey through Hell, with Liszt using the piano to create a vivid and dramatic soundscape. The piece is known for its technical difficulty, with Liszt pushing the limits of what was possible on the piano at the time. It requires a high level of virtuosity and control, with rapid runs, arpeggios, and complex chord progressions. Liszt's use of harmony and tonality in the piece is also notable, with the music shifting between major and minor keys to create a sense of tension and release. The piece is also known for its use of chromaticism, with Liszt using chromatic scales and chords to create a sense of dissonance and unease. Overall, "Aprés une lecture du Dante II S. 161/7" is a powerful and evocative piece of music that showcases Liszt's technical skill and musical creativity. It remains a popular and challenging piece for pianists to this day.

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