Composer

:

Orlande de Lassus

Genre

:

Choral

Style

:

Choral

Publication Date

:

1577

Average_duration

:

1:43

Orlande de Lassus was a prominent composer of the Renaissance period, known for his prolific output of sacred and secular music. One of his most notable works is the motet "Oculus non vidit, M. xi (S. i/2)," which was composed in the late 16th century. The motet is written for six voices, with two soprano, alto, tenor, baritone, and bass parts. It is based on a text from 1 Corinthians 2:9, which reads, "Eye hath not seen, nor ear heard, neither have entered into the heart of man, the things which God hath prepared for them that love him." The text is a meditation on the mysteries of God and the promise of eternal life. The motet is divided into three movements, each with its own distinct character. The first movement is marked "Adagio" and is characterized by a slow, mournful melody in the lower voices. The upper voices provide a counterpoint to the melody, creating a sense of tension and longing. The second movement is marked "Allegro" and is more lively and energetic than the first. The voices are more closely intertwined, with each part contributing to a complex and intricate texture. The movement is marked by sudden shifts in dynamics and tempo, creating a sense of excitement and anticipation. The final movement is marked "Adagio" and returns to the mournful character of the first. The melody is simpler and more straightforward, with the voices blending together in a rich and harmonious texture. The movement ends with a sense of resolution and peace, as the text speaks of the promise of eternal life. Overall, "Oculus non vidit" is a powerful and moving work that showcases Lassus's skill as a composer. The motet is characterized by its complex textures, intricate counterpoint, and emotional depth, making it a masterpiece of Renaissance music. It premiered in the late 16th century and has since become a staple of the choral repertoire.

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