Composer

:

Tomás Luis de Victoria

Genre

:

Choral

Style

:

Motet

Publication Date

:

1585

Average_duration

:

2:26

Astiterunt reges is a sacred motet composed by the Spanish composer Tomás Luis de Victoria. It was composed in the late 16th century, during the Renaissance period, and was first performed in the Chapel Royal of Madrid. The motet is written for four voices, and is based on a text from Psalm 2:2-3, which describes the kings of the earth rising up against the Lord and his anointed. The motet is divided into three movements, each of which reflects a different aspect of the text. The first movement is marked "Allegro," and is characterized by its lively, rhythmic energy. The voices enter one by one, building to a full, rich texture that reflects the power and might of the kings of the earth. The second movement is marked "Adagio," and is more contemplative in nature. The voices sing in a more subdued, introspective manner, reflecting the awe and reverence that the text inspires. The final movement is marked "Allegro," and is a triumphant celebration of the Lord's victory over the kings of the earth. The voices sing in a joyful, exultant manner, reflecting the triumph and glory of the Lord. The motet is characterized by its rich, complex harmonies, which reflect Victoria's mastery of counterpoint and his ability to create intricate, interweaving lines of melody. The voices are often divided into two or more parts, creating a rich, layered texture that is both intricate and beautiful. The motet is also characterized by its use of dissonance, which is used to create tension and drama, and its use of chromaticism, which adds depth and complexity to the harmonies. Overall, Astiterunt reges is a powerful and moving work that reflects Victoria's deep faith and his mastery of the musical language of the Renaissance. Its rich harmonies, intricate counterpoint, and powerful text make it a masterpiece of sacred music, and a testament to the enduring power of Victoria's music.

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