Composer

:

Mátyás Seiber

Genre

:

Vocal

Compose Date

:

1946

Average_duration

:

4:07

Movement_count

:

4

Movement ....

'More Nonsense' is a composition by Mátyás Seiber, a Hungarian-born composer who spent most of his career in England. The piece was composed in 1951 and premiered in London the same year. It is a suite of five movements, each of which is based on a different nonsense poem by Edward Lear. The first movement, "The Jumblies," is a lively and playful piece that captures the whimsical spirit of Lear's poem. It features a bouncy, syncopated rhythm and a catchy melody that is passed around the different instruments of the ensemble. The second movement, "The Owl and the Pussy-Cat," is a more lyrical and romantic piece that evokes the dreamy atmosphere of Lear's poem. It features a lush, romantic melody that is played by the strings and woodwinds, with the percussion providing a gentle, rhythmic accompaniment. The third movement, "The Dong with a Luminous Nose," is a quirky and eccentric piece that captures the surreal and fantastical elements of Lear's poem. It features a dissonant, angular melody that is played by the brass and woodwinds, with the percussion providing a chaotic, unpredictable accompaniment. The fourth movement, "The Quangle Wangle's Hat," is a whimsical and playful piece that captures the absurdity and humor of Lear's poem. It features a jaunty, syncopated rhythm and a catchy melody that is passed around the different instruments of the ensemble. The final movement, "The Pobble Who Has No Toes," is a haunting and melancholy piece that captures the bittersweet tone of Lear's poem. It features a mournful, lyrical melody that is played by the strings and woodwinds, with the percussion providing a gentle, rhythmic accompaniment. Overall, 'More Nonsense' is a charming and delightful piece that showcases Seiber's skill as a composer and his ability to capture the whimsical and surreal elements of Lear's poetry. It is a testament to the enduring appeal of Lear's work and the creative possibilities that it offers to composers and artists of all kinds.

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