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Franz Liszt
Aufenthalt (after Schubert, D. 957/5), S. 560/3
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Works Info
Composer
:
Franz Liszt
Genre
:
Keyboard
Style
:
Keyboard
Compose Date
:
1838 - 1839
Publication Date
:
1839
Average_duration
:
3:41
Franz Liszt's "Aufenthalt (after Schubert, D. 957/5), S. 560/3" is a solo piano piece that was composed in the mid-19th century. It is part of a larger collection of works known as the "Schubert Song Transcriptions," which Liszt created by transcribing and arranging some of Franz Schubert's most famous lieder for solo piano. The piece was composed in 1848 and premiered the same year in Weimar, Germany. It is the fifth song in Schubert's song cycle "Schwanengesang," which was published posthumously in 1829. The title "Aufenthalt" translates to "sojourn" or "stay," and the song's lyrics describe a traveler who is longing to return to a place where he once found happiness. Liszt's transcription of "Aufenthalt" is a virtuosic and emotionally charged work that captures the intensity and drama of Schubert's original song. The piece is in the key of F minor and is marked "Allegro molto agitato," indicating a fast and agitated tempo. The piece is divided into three distinct sections or movements. The first movement begins with a series of rapid arpeggios that set the tone for the piece's intense and passionate mood. The melody of the song is then introduced in the right hand, accompanied by a driving bass line in the left hand. The second movement is more subdued and introspective, with a slower tempo and a more lyrical melody. The melody is passed between the hands, with the left hand providing a gentle accompaniment. The final movement returns to the fast and agitated tempo of the first movement, with Liszt's virtuosic piano writing reaching a climax in a series of thunderous chords and rapid arpeggios. The piece ends with a final flourish, bringing the intense emotional journey to a dramatic close. Overall, "Aufenthalt (after Schubert, D. 957/5), S. 560/3" is a powerful and emotionally charged work that showcases Liszt's virtuosic piano writing and his ability to capture the essence of Schubert's original song in a solo piano transcription.
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