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Johann Sebastian Bach
Christus, der ist mein Leben (II), BWV 282
Works Info
Composer
:
Johann Sebastian Bach
Genre
:
Choral
Style
:
Chorale
Compose Date
:
before 1751
Publication Date
:
1784 - 1787
Average_duration
:
0:46
Christus, der ist mein Leben (II), BWV 282 is a sacred cantata composed by Johann Sebastian Bach. It was composed in Leipzig in 1736 and premiered on the 16th Sunday after Trinity, which fell on September 12th of that year. The cantata is divided into six movements and is scored for soprano, alto, tenor, and bass soloists, as well as a four-part choir and a small orchestra consisting of two oboes, strings, and continuo. The first movement is a chorale fantasia based on the hymn "Christus, der ist mein Leben" by Johann Scheffler. The choir sings the chorale melody in unison while the orchestra provides a rich and complex accompaniment. The second movement is a recitative for the bass soloist, who reflects on the meaning of the hymn and its importance in his life. The third movement is an aria for the soprano soloist, accompanied by the oboe. The aria is characterized by its gentle, flowing melody and its pastoral, bucolic atmosphere. The fourth movement is a duet for the alto and tenor soloists, accompanied by the strings. The duet is characterized by its lively, dance-like rhythm and its joyful, celebratory mood. The fifth movement is a recitative for the tenor soloist, who reflects on the suffering and sacrifice of Christ and the importance of his death and resurrection. The final movement is a chorale setting of the hymn, with the choir and orchestra joining together to sing the final verses of the hymn in a grand and majestic manner. Overall, Christus, der ist mein Leben (II), BWV 282 is a beautiful and deeply spiritual work that reflects Bach's profound faith and his mastery of the art of sacred music. Its rich harmonies, complex counterpoint, and expressive melodies make it a masterpiece of the Baroque era and a testament to Bach's enduring legacy as one of the greatest composers of all time.
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