Composer

:

Mikolaj Gomolka

Style

:

Psalm

Average_duration

:

1:26

'Pana ja wzywac bede dokadem zywy, Psalm 77' is a choral work composed by Mikolaj Gomolka, a Polish composer and court musician of the late Renaissance period. The piece was composed in the late 16th century and premiered in the court of King Sigismund III Vasa in Warsaw, Poland. The work is a setting of Psalm 77, which is a lamentation of the psalmist over the perceived absence of God in times of trouble. The piece is divided into six movements, each of which reflects a different aspect of the psalmist's lament. The first movement begins with a somber and mournful tone, with the choir singing in unison to express the psalmist's despair. The second movement features a more complex and polyphonic texture, with the choir singing in four-part harmony to express the psalmist's plea for God's mercy. The third movement is a solo aria, sung by a tenor, which expresses the psalmist's longing for God's presence. The fourth movement features a more upbeat and joyful tone, with the choir singing in a lively and rhythmic manner to express the psalmist's hope for deliverance. The fifth movement is a solo aria, sung by a bass, which expresses the psalmist's trust in God's faithfulness. The final movement returns to the somber and mournful tone of the first movement, with the choir singing in unison to express the psalmist's continued lamentation. Overall, 'Pana ja wzywac bede dokadem zywy, Psalm 77' is a powerful and emotional work that reflects the religious and cultural context of its time. The piece is characterized by its use of polyphonic textures, expressive melodies, and complex harmonies, which reflect Gomolka's mastery of the choral form.

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