Keith Rhodes
Psalm 17
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Composer:Keith RhodesGenre:ChoralAverage_duration:4:37Psalm 17 is a choral work composed by Keith Rhodes, an American composer and conductor. The piece was composed in 2010 and premiered on May 1, 2011, by the choir of the First Presbyterian Church of Atlanta, Georgia. The work is divided into three movements, each of which sets a different section of Psalm 17. The first movement sets verses 1-5, the second sets verses 6-12, and the third sets verses 13-15. The piece is scored for SATB choir, with occasional divisi in the soprano and tenor parts. The first movement begins with a slow, mournful introduction in the lower voices, which sets the tone for the entire piece. The choir then enters with a simple, chant-like melody, which is repeated and developed throughout the movement. The harmonies are mostly diatonic, with occasional chromaticism to add color and tension. The movement ends with a quiet, peaceful cadence. The second movement is more complex and dramatic than the first. It begins with a fast, rhythmic section in the lower voices, which is then taken up by the upper voices. The choir then sings a series of overlapping phrases, which create a sense of urgency and intensity. The harmonies are more dissonant than in the first movement, with frequent use of suspensions and unresolved chords. The movement ends with a powerful, fortissimo chord. The third movement is the shortest and most peaceful of the three. It begins with a simple, hymn-like melody in the soprano and alto voices, which is then joined by the tenors and basses. The harmonies are mostly diatonic, with occasional use of modal inflections. The movement ends with a quiet, peaceful cadence, which brings the piece to a gentle close. Overall, Psalm 17 is a beautiful and moving choral work, which showcases Keith Rhodes' skill as a composer. The piece is characterized by its simple melodies, rich harmonies, and expressive use of text painting. It is a fitting setting of the psalm, which speaks of the psalmist's trust in God in the face of adversity.More....
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