Composer

:

Carl Philipp Emanuel Bach

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1755

Publication Date

:

1985

Average_duration

:

2:18

La Philippine, H. 96, Wq. 117/34 is a solo keyboard work composed by Carl Philipp Emanuel Bach. The exact date of composition is unknown, but it is believed to have been written in the 1760s. The piece was premiered by Bach himself, who was a renowned keyboard virtuoso, and it quickly became one of his most popular works. La Philippine is a three-movement work, with each movement showcasing Bach's virtuosic keyboard writing and his ability to create expressive and dramatic musical gestures. The first movement is marked Allegro, and it features a lively and energetic theme that is developed throughout the movement. The second movement is marked Adagio, and it is a slow and expressive piece that showcases Bach's ability to create beautiful and poignant melodies. The final movement is marked Allegro assai, and it is a fast and virtuosic piece that features intricate and challenging keyboard writing. One of the characteristics of La Philippine is its use of dramatic contrasts and sudden shifts in mood and tempo. Bach was known for his ability to create music that was both emotionally expressive and intellectually stimulating, and this piece is a prime example of his skill in this regard. Another characteristic of the piece is its use of ornamentation and embellishment, which was a hallmark of the keyboard music of the time. Overall, La Philippine is a masterful work that showcases Bach's virtuosic keyboard writing and his ability to create music that is both emotionally expressive and intellectually stimulating. It remains a popular piece in the keyboard repertoire and is frequently performed and recorded by pianists and harpsichordists today.

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